5.15 The Strain of Vietnam at home and abroad

Photograph of Vietnam War protestors at the March on the Pentagon. Lyndon B. Johnson Library
Vietnam War protestors at the March on the Pentagon. Lyndon B. Johnson Library via Wikimedia.

Perhaps no single issue contributed more to public disillusionment than the Vietnam War. As the war deteriorated, the Johnson administration escalated American involvement by deploying hundreds of thousands of troops to prevent the communist takeover of the south. Stalemates, body counts, hazy war aims, and the draft catalyzed an antiwar movement and triggered protests throughout the United States and Europe. With no end in sight, protesters burned draft cards, refused to pay income taxes, occupied government buildings, and delayed trains loaded with war materials. By 1967, antiwar demonstrations were drawing hundreds of thousands. In one protest, hundreds were arrested after surrounding the Pentagon.1

Vietnam was the first “living room war.”2 Television, print media, and open access to the battlefield provided unprecedented coverage of the conflict’s brutality. Americans confronted grisly images of casualties and atrocities. In 1965, CBS Evening News aired a segment in which U.S. Marines burned the South Vietnamese village of Cam Ne with little apparent regard for the lives of its occupants, who had been accused of aiding Vietcong guerrillas. President Johnson berated the head of CBS, yelling over the phone, “Your boys just shat on the American flag.”3

While the U.S. government imposed no formal censorship on the press during Vietnam, the White House and military nevertheless used press briefings and interviews to paint a deceptive image of the war. The United States was winning the war, officials claimed. They cited numbers of enemies killed, villages secured, and South Vietnamese troops trained. However, American journalists in Vietnam quickly realized the hollowness of such claims (the press referred to afternoon press briefings in Saigon as “the Five o’Clock Follies”).4 Editors frequently toned down their reporters’ pessimism, often citing conflicting information received from their own sources, who were typically government officials. But the evidence of a stalemate mounted.

Stories like CBS’s Cam Ne piece exposed a credibility gap, the yawning chasm between the claims of official sources and the increasingly evident reality on the ground in Vietnam.5 Nothing did more to expose this gap than the 1968 Tet Offensive. In January, communist forces attacked more than one hundred American and South Vietnamese sites throughout South Vietnam, including the American embassy in Saigon. While U.S. forces repulsed the attack and inflicted heavy casualties on the Vietcong, Tet demonstrated that despite the repeated claims of administration officials, the enemy could still strike at will anywhere in the country, even after years of war. Subsequent stories and images eroded public trust even further. In 1969, investigative reporter Seymour Hersh revealed that U.S. troops had raped and/or massacred hundreds of civilians in the village of My Lai.6 Three years later, Americans cringed at Nick Ut’s wrenching photograph of a naked Vietnamese child fleeing an American napalm attack. More and more American voices came out against the war.

Reeling from the war’s growing unpopularity, on March 31, 1968, President Johnson announced on national television that he would not seek reelection.7 Eugene McCarthy and Robert F. Kennedy unsuccessfully battled against Johnson’s vice president, Hubert Humphrey, for the Democratic Party nomination (Kennedy was assassinated in June). At the Democratic Party’s national convention in Chicago, local police brutally assaulted protesters on national television.

For many Americans, the violent clashes outside the convention hall reinforced their belief that civil society was unraveling. Republican challenger Richard Nixon played on these fears, running on a platform of “law and order” and a vague plan to end the war. Well aware of domestic pressure to wind down the war, Nixon sought, on the one hand, to appease antiwar sentiment by promising to phase out the draft, train South Vietnamese forces to assume more responsibility for the war effort, and gradually withdraw American troops. Nixon and his advisors called it “Vietnamization.”8 At the same time, Nixon appealed to the so-called silent majority of Americans who still supported the war (and opposed the antiwar movement) by calling for an “honorable” end to U.S. involvement—what he later called “peace with honor.”9 He narrowly edged out Humphrey in the fall’s election.

Public assurances of American withdrawal, however, masked a dramatic escalation of conflict. Looking to incentivize peace talks, Nixon pursued a “madman strategy” of attacking communist supply lines across Laos and Cambodia, hoping to convince the North Vietnamese that he would do anything to stop the war.10 Conducted without public knowledge or congressional approval, the bombings failed to spur the peace process, and talks stalled before the American-imposed November 1969 deadline. News of the attacks renewed antiwar demonstrations. Police and National Guard troops killed six students in separate protests at Jackson State University in Mississippi, and, more famously, Kent State University in Ohio in 1970.

Another three years passed—and another twenty thousand American troops died—before an agreement was reached.11 After Nixon threatened to withdraw all aid and guaranteed to enforce a treaty militarily, the North and South Vietnamese governments signed the Paris Peace Accords in January 1973, marking the official end of U.S. force commitment to the Vietnam War. Peace was tenuous, and when war resumed North Vietnamese troops quickly overwhelmed southern forces. By 1975, despite nearly a decade of direct American military engagement, Vietnam was united under a communist government.

The Vietnam War profoundly influenced domestic politics. Moreover, it poisoned many Americans’ perceptions of their government and its role in the world. And yet, while the antiwar demonstrations attracted considerable media attention and stand today as a hallmark of the Sixties Counterculture, many Americans nevertheless continued to regard the war as just. Wary of the rapid social changes that reshaped American society in the 1960s and worried that antiwar protests threatened an already tenuous civil order, a growing number of Americans turned to conservatism.

The Crisis of 1968

To Americans in 1968, the country seemed to be unraveling. Martin Luther King Jr. was killed on April 4, 1968. He had been in Memphis to support striking sanitation workers. (Prophetically, he had reflected on his own mortality in a rally the night before. Confident that the Civil Rights Movement would succeed without him, he brushed away fears of death. “I’ve been to the mountaintop,” he said, “and I’ve seen the promised land.”).12The greatest leader in the American Civil Rights Movement was lost. Riots broke out in over a hundred American cities. Two months later, on June 6, Robert F. Kennedy Jr. was killed campaigning in California. He had represented the last hope of liberal idealists. Anger and disillusionment washed over the country.

As the Vietnam War descended ever deeper into a brutal stalemate and the Tet Offensive exposed the lies of the Johnson administration, students shut down college campuses and government facilities. Protests enveloped the nation.

Protesters converged on the Democratic National Convention in Chicago at the end of August 1968, when a bitterly fractured Democratic Party gathered to assemble a passable platform and nominate a broadly acceptable presidential candidate. Demonstrators planned massive protests in Chicago’s public spaces. Initial protests were peaceful, but the situation quickly soured as police issued stern threats and young people began to taunt and goad officials. Many of the assembled students had protest and sit-in experiences only in the relative safe havens of college campuses and were unprepared for Mayor Richard Daley’s aggressive and heavily armed police force and National Guard troops in full riot gear. Attendees recounted vicious beatings at the hands of police and Guardsmen, but many young people—convinced that much public sympathy could be won via images of brutality against unarmed protesters—continued stoking the violence. Clashes spilled from the parks into city streets, and eventually the smell of tear gas penetrated the upper floors of the opulent hotels hosting Democratic delegates. Chicago’s brutality overshadowed the convention and culminated in an internationally televised, violent standoff in front of the Hilton Hotel. “The whole world is watching,” the protesters chanted. The Chicago riots encapsulated the growing sense that chaos now governed American life.

For many sixties’ idealists, the violence of 1968 represented the death of a dream. Disorder and chaos overshadowed hope and progress. And for conservatives, it was confirmation of all of their fears and hesitations. Americans of 1968 turned their back on hope. They wanted peace. They wanted stability. They wanted “law and order.”

American politics moved right after Lyndon Johnson’s administration, but Nixon’s presidency was not a conservative revolution either. Politicians on both sides pursued moderate paths, but there were a lot anxieties and discontent under the surface. Cultural clashes persisted into the 70s, the economy crashed, and Americans began to recognize that the United States wasn’t as heroic as it was once perceived. Many Americans felt nostalgic for simpler times and this continued into the 1970s.

Optional Viewing:

Films for the Humanities and Sciences. Vietnam: America in the 20th Century. Produced by Media Rich Learning. 2003. Video, 1:11:48.

If you get an error saying the videos can’t be authenticated, use this link: https://ccco.idm.oclc.org/login?url=https://fod.infobase.com/PortalPlaylists.aspx?wID=151823&xtid=47586.

 

Films for the Humanities and Sciences. Cold War: America in the 20th Century. Produced by Media Rich Learning. 2003. Video, 2:11:48.

If you get an error saying the videos can’t be authenticated, use this link: https://ccco.idm.oclc.org/login?url=https://fod.infobase.com/PortalPlaylists.aspx?wID=151823&xtid=47587.

Notes

  1. Jeff Leen, “The Vietnam Protests: When Worlds Collided,” Washington Post, September 27, 1999, http://www.washingtonpost.com/wp-srv/local/2000/vietnam092799.htm. image
  2. Michael J. Arlen, Living-Room War (New York: Viking, 1969). image
  3. Tom Engelhardt, The End of Victory Culture: Cold War America and the Disillusioning of a Generation, rev. ed. (Amherst: University of Massachusetts Press, 2007), 190. image
  4. Mitchel P. Roth, Historical Dictionary of War Journalism (Westport, CT: Greenwood, 1997), 105. image
  5. David L. Anderson, The Columbia Guide to the Vietnam War (New York: Columbia University Press, 2002), 109. image
  6. Guenter Lewy, America in Vietnam (New York: Oxford University Press, 1978), 325–326. image
  7. Lyndon B. Johnson, “Address to the Nation Announcing Steps to Limit the War in Vietnam and Reporting His Decision Not to Seek Reelection,” March 31, 1968, Lyndon Baines Johnson Library, http://www.lbjlib.utexas.edu/johnson/archives.hom/speeches.hom/680331.asp. image
  8. Lewy, America in Vietnam, 164–169; Henry Kissinger, Ending the Vietnam War: A History of America’s Involvement in and Extrication from the Vietnam War (New York: Simon and Schuster, 2003), 81–82. image
  9. Richard Nixon, “Address to the Nation Announcing Conclusion of an Agreement on Ending the War and Restoring Peace in Vietnam,” January 23, 1973, American Presidency Project, http://www.presidency.ucsb.edu/ws/?pid=3808. image
  10. Richard Nixon, quoted in Walter Isaacson, Kissinger: A Biography (New York: Simon and Schuster, 2005), 163–164. image
  11. Geneva Jussi Hanhimaki, The Flawed Architect: Henry Kissinger and American Foreign Policy (New York: Oxford University Press, 2004), 257. image
  12. Martin Luther King, Jr., “I’ve Been to the Mountaintop,” April 3, 1968, at American Rhetoric, https://www.americanrhetoric.com/speeches/mlkivebeentothemountaintop.htm. image

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PPSC HIS 1220: US History Since the Civil War by Jared Benson, Sarah Clay, and Katherine Sturdevant is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License, except where otherwise noted.

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