2.4 Policies, Resistance, and Ideology of the West

The Allotment Era and Resistance in the Native West

As the rails moved into the West, and more and more Americans followed, the situation for Native groups deteriorated even further. Treaties negotiated between the United States and Native groups had typically promised that if tribes agreed to move to specific reservation lands, they would hold those lands collectively. But as American westward migration mounted and open lands closed, white settlers began to argue that Indians had more than their fair share of land, that the reservations were too big, that Indians were using the land “inefficiently,” and that they still preferred nomadic hunting instead of intensive farming and ranching.

By the 1880s, Americans increasingly championed legislation to allow the transfer of Indian lands to farmers and ranchers, while many argued that allotting Indian lands to individual Native Americans, rather than to tribes, would encourage American-style agriculture and finally put Indians who had previously resisted the efforts of missionaries and federal officials on the path to “civilization.”

Passed by Congress on February 8, 1887, the Dawes General Allotment Act splintered Native American reservations into individual family homesteads. Each head of a Native family was to be allotted 160 acres, the typical size of a claim that any settler could establish on federal lands under the provisions of the Homestead Act. Single individuals over age eighteen would receive an eighty-acre allotment, and orphaned children received forty acres. A four-year timeline was established for Indian peoples to make their allotment selections. If at the end of that time no selection had been made, the act authorized the secretary of the interior to appoint an agent to make selections for the remaining tribal members. To protect Indians from being swindled by unscrupulous land speculators, all allotments were to be held in trust—they could not be sold by allottees—for twenty-five years. Lands that remained unclaimed by tribal members after allotment would revert to federal control and be sold to American settlers.1

 

Red Cloud and American Horse – two of the most renowned Ogala chiefs – are seen clasping hands in front of a tipi on the Pine Ridge Reservation in South Dakota.
Red Cloud and American Horse – two of the most renowned Ogala chiefs – are seen clasping hands in front of a tipi on the Pine Ridge Reservation in South Dakota. Both men served as delegates to Washington, D.C., after years of actively fighting the American government. John C. Grabill, “‘Red Cloud and American Horse.’ The two most noted chiefs now living,” 1891. Library of Congress.

Americans touted the Dawes Act as an uplifting humanitarian reform, but it upended Indian lifestyles and left Indian groups without sovereignty over their lands. The act claimed that to protect Indian property rights, it was necessary to extend “the protection of the laws of the United States . . . over the Indians.”2 Tribal governments and legal principles could be superseded, or dissolved and replaced, by U.S. laws. Under the terms of the Dawes Act, Native groups struggled to hold on to some measure of tribal sovereignty.

The stresses of conquest unsettled generations of Native Americans. Many took comfort from the words of prophets and holy men. In Nevada, on January 1, 1889, Northern Paiute prophet Wovoka experienced a great revelation. He had traveled, he said, from his earthly home in western Nevada to heaven and returned during a solar eclipse to prophesy to his people. “You must not hurt anybody or do harm to anyone. You must not fight. Do right always,”3 he exhorted. And they must, he said, participate in a religious ceremony that came to be known as the Ghost Dance. If the people lived justly and danced the Ghost Dance, Wovoka said, their ancestors would rise from the dead, droughts would dissipate, the whites in the West would vanish, and the buffalo would once again roam the Plains.

Native American prophets had often confronted American imperial power. Some prophets, including Wovoka, incorporated Christian elements like heaven and a Messiah figure into indigenous spiritual traditions. And so, though it was far from unique, Wovoka’s prophecy nevertheless caught on quickly and spread beyond the Paiutes. From across the West, members of the Arapaho, Bannock, Cheyenne, and Shoshone nations, among others, adopted the Ghost Dance religion. Perhaps the most avid Ghost Dancers—and certainly the most famous—were the Lakota Sioux.

The Lakota Sioux were in dire straits. South Dakota, formed out of land that had once belonged by treaty to the Lakotas, became a state in 1889. White homesteaders had poured in, reservations were carved up and diminished, starvation set in, corrupt federal agents cut food rations, and drought hit the Plains. Many Lakotas feared a future as the landless subjects of a growing American empire when a delegation of eleven men, led by Kicking Bear, joined Ghost Dance pilgrims on the rails westward to Nevada and returned to spread the revival in the Dakotas.

The energy and message of the revivals frightened Indian agents, who began arresting Indian leaders. Then Chief Sitting Bull and with several other whites and Indians, were killed in December 1890 during a botched arrest, convincing many bands to flee the reservations to join the fugitive bands farther west, where Lakota adherents of the Ghost Dance were preaching that the Ghost Dancers would be immune to bullets.

Two weeks later, an American cavalry unit intercepted a band of 350 Lakotas, including over 100 women and children, under Chief Spotted Elk (later known as Bigfoot). They were escorted to Wounded Knee Creek, where they camped for the night. The following morning, December 29, the American cavalrymen entered the camp to disarm Spotted Elk’s band. Tensions flared, a shot was fired, and a skirmish became a massacre. The Americans fired their heavy weaponry indiscriminately into the camp. Two dozen cavalrymen had been killed by the Lakotas’ concealed weapons or by friendly fire, but when the guns went silent, between 150 and 300 Native men, women, and children were dead.4

 

Burial of the dead after the massacre of Wounded Knee. U.S. Soldiers putting Indians in common grave; some corpses are frozen in different positions. South Dakota. 1891.
Burial of the dead after the massacre of Wounded Knee. U.S. Soldiers putting Indians in common grave; some corpses are frozen in different positions. South Dakota. 1891. Library of Congress.

Wounded Knee marked the end of sustained, armed Native American resistance in the West. Individuals continued to resist the pressures of assimilation and preserve traditional cultural practices, but sustained military defeats, the loss of sovereignty over land and resources, and the onset of crippling poverty on the reservations marked the final decades of the nineteenth century as a particularly dark era for America’s western tribes. But for Americans, it became mythical.

The Wild West and Turner’s Thesis

Life in the West was definitely rough no matter what people or race, but it was never as “wild” as portrayed in dime novels or through Wild West Shows. The most famous of these shows – Buffalo Bill Cody’s Wild West – mythologized the concept of the West as a land of cowboys, Indians, and outlaws. Cody’s Wild West show and others that copied the model tried to preserve Native American culture by featuring them prominently in their extravaganzas. “The shows certainly veiled the true cultural and historic value of so many Native demonstrations, and the Indian performers were curiosities to white Americans, but the shows were one of the few ways for many Native Americans to make a living in the late nineteenth century.”5 Additionally, to appeal to a much larger crowd, female sharp shooters such as Annie Oakley became show staples. As historian Ben Locke concludes,

The western “cowboys and Indians mystique, perpetuated in novels, rodeos, and Wild West shows, was rooted in romantic nostalgia and, perhaps, in the anxieties that many felt in the late nineteenth century’s new, seemingly “soft” industrial world of factory and office work. The mythical cowboy’s “aggressive masculinity” was the seemingly perfect antidote for middle- and upper-class, city-dwelling Americans who feared they “had become over-civilized” and longed for what Theodore Roosevelt called the “strenuous life.” . . . Americans looked longingly to the West, whose romance would continue to pull at generations of Americans.6

Then in 1893, a young historian by the name of Frederick Jackson Turner presented his frontier thesis declaring that the American frontier was dead. In 1890 the Census Bureau had declared the frontier obsolete indicating there was no place in the continental United States that was unoccupied. Turner worried about the future of the United States without the safety valve of a frontier to be conquered. This was a common sentiment and Americans began looking outwards to the Caribbean, to the Pacific, and beyond with their ambitions.

For more information on the American West, please watch the following video:

WGBH Educational Foundation. The West: A Biography of America. Produced by Annenberg Learner. 2000. Video, 25:52.

If you get a message that the video cannot be authenticated, use the link below: https://ccco.idm.oclc.org/login?url=https://fod.infobase.com/PortalPlaylists.aspx?wID=151823&xtid=111507.

Notes

  1. Patricia Nelson Limerick, The Legacy of Conquest: The Unbroken Past of the American West (New York: Norton, 1987), 195–199; Richard White, It’s Your Misfortune and None of My Own: A New History of the American West (Norman: University of Oklahoma Press, 1991), 115. image
  2. US Congress, An Act to Provide for the Allotment of Lands in Severalty to Indians on the Various Reservations, February 8, 1887, at Our Documents.gov, https://www.ourdocuments.gov/doc.php?flash=true&doc=50&page=transcript. image
  3. Jack Wilson (Wovoka), “The Messiah Message,” August 1891, at PBS: Archives of the West, https://www.pbs.org/weta/thewest/resources/archives/eight/gdmessg.htm. image
  4. Dee Brown, Bury My Heart at Wounded Knee: An Indian History of the American West (New York: Holt, Rinehart and Winston, 1970). image
  5. Joseph Locke and Ben Wright, eds., “Chapter 17,” The American Yawp: A Massively Collaborative Open US History Textbook (Redwood City, CA: Stanford University Press, 2018), VII. Rodeos, Wild West Shows, and the Mythic American West, at http://www.americanyawp.com/text/17-conquering-the-west/. image
  6. Ibid., “Chapter 17,” VII. Rodeos, Wild West Shows, and the Mythic American West. image

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PPSC HIS 1220: US History Since the Civil War by Jared Benson, Sarah Clay, and Katherine Sturdevant is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License, except where otherwise noted.

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