{"id":881,"date":"2024-07-30T18:38:15","date_gmt":"2024-07-30T18:38:15","guid":{"rendered":"https:\/\/pressbooks.ccconline.org\/ppschum1021earlycivilizations\/chapter\/7-8-relics-of-faith\/"},"modified":"2025-03-19T16:58:03","modified_gmt":"2025-03-19T16:58:03","slug":"7-8-relics-of-faith","status":"publish","type":"chapter","link":"https:\/\/pressbooks.ccconline.org\/ppschum1021earlycivilizations\/chapter\/7-8-relics-of-faith\/","title":{"raw":"7.8 Relics of Faith","rendered":"7.8 Relics of Faith"},"content":{"raw":"<div class=\"7.8-relics-of-faith\">\r\n<h2>The Nicene Creed<\/h2>\r\n<p class=\"import-Normal\">Before the days of the Emperor Constantine, the Roman government didn\u2019t care about faith-based religion. Ritual was important; it was necessary to honor the gods who could assist and protect you, who could influence the outcome of any process that was risky, uncertain or incomprehensible. Proper performance was essential. With proper ritual the gods could grant health and prosperity. In contrast to pagan religions, Christianity was a religion of belief, not of cultic ritual. Its controlling principle, how to be right with God, was set with the belief in Jesus as God and in the sacrifice of his life.<\/p>\r\n<p class=\"import-Normal\">While Constantine was a pragmatic politician, using whatever means available to achieve a stable empire, Jesus was non-political. As demonstrated in the <em>Sermon on the Mount <\/em>he was a pacifist and condemned worldly authority. But the Emperor ruled over an empire with a strong military tradition. Theologians had to rethink Christ\u2019s previous and uncompromising hostility toward warfare of all sorts. If Christianity was going to work in a state ruled by a monarchy, it would have to change.<\/p>\r\n<p class=\"import-Normal\">To solidify his power, in 325 Constantine called the First Ecumenical<a href=\"#sdfootnote1sym\"><sup>1<\/sup><\/a> Council at Nicaea (near the Eastern Imperial residence at Nicomedia; modern Iznik, Turkey) to formalize Christian belief about the divinity of Jesus. Giving his active support to Trinitarian Christianity, the emperor covered all travel and accommodation expenses and presided over the Council. Foremost among the Council\u2019s concerns were the heretical Arians, who were understood as \u201cpagan\u201d because they denied the divinity of Jesus and rejected the concept of the Trinity.<\/p>\r\n<p class=\"import-Normal\">\u201cTrinitarian Christianity\u201d accentuated all possible opportunities to promote the three-part nature of God the Father, Jesus Christ the Son, and the Holy Spirit. Trinitarian practices were expressed in a standardized <strong>creed<\/strong>, authoritative <strong>scripture<\/strong>, and approved <strong>hymns<\/strong>, performed to a rhythm of \u201c3.\u201d Additionally, there were to be no more than three sacred languages (Greek, Latin and Hebrew).<\/p>\r\n<p class=\"import-Normal\">Jesus\u2019 Jewish heritage had established a precedent for both a creed and a sacred text. The Jewish \u201cshema\u201d was recognized as the fundamental expression of Jewish belief: \u201cHear, Israel, the Lord is our God, the Lord is One.\u201d Jesus\u2019 sacred text was the Torah, the law of God as revealed to Moses and recorded in the first five books of the Hebrew Scriptures (the Pentateuch). Had Jesus lived longer perhaps he, himself, would have been the authority, the scripture, but he didn\u2019t write anything.<\/p>\r\nIt was at this Council that the creed, to be known as the Nicene Creed was written. The statement, as used today<a href=\"#sdfootnote2sym\"><sup>2<\/sup><\/a>:\r\n<div class=\"textbox\">\r\n<p class=\"import-BodyText\" style=\"text-align: center\"><strong>NICENE CREED, 325<\/strong><\/p>\r\n<p class=\"import-BodyText\">I believe in one God the Father Almighty, maker of heaven and earth, and of all things visible and invisible.<\/p>\r\n<p class=\"import-BodyText\">I believe in one Lord Jesus Christ, the Only-Begotten Son of God, born of the Father before all ages, God from God, Light from Light, true God from true God, begotten not made, consubstantial with the Father, through him all things were made. For us men and for our salvation he came down from heaven, and by the Holy Spirit was incarnate of the Virgin Mary, and became man. For our sake he was crucified under Pontius Pilate, he suffered death and was buried, and rose again on the third day in accordance with the Scriptures. He ascended into heaven, and is seated at the right hand of the Father. He will come again in glory to judge the living and the dead and his kingdom will have no end.<\/p>\r\n<p class=\"import-BodyText\">I believe in the Holy Spirit, the Lord, the giver of Life, who proceeds from the Father and the Son, who with the Father and the Son is adored and glorified, who has spoken through the prophets.<\/p>\r\n<p class=\"import-BodyText\">I believe in one, holy, catholic and apostolic Church. I confess one Baptism for the forgiveness of sins and I look forward to the resurrection of the dead, and the life of the world to come.<\/p>\r\n<p class=\"import-BodyText\">Amen.<\/p>\r\n\r\n<\/div>\r\n<p class=\"import-Normal\">Notice that the Nicene Creed\u2019s essential definition of the divine was in three parts: God the Father, Jesus Christ the Son and the Holy Spirit, which were unified into one statement of belief. The fourth section refers to the believer. The statement pledges commitment to additional miraculous phenomena, including:<\/p>\r\n\r\n<ul>\r\n \t<li>God and Jesus are \u201cconsubstantial\u201d (made from one divine substance)<\/li>\r\n \t<li>Jesus was born of a virgin<\/li>\r\n \t<li>Jesus died, and rose from the dead (as had the heroes Osiris, Theseus, Herakles, Orpheus and Octavian)<\/li>\r\n \t<li>And the believer, too, will be resurrected<\/li>\r\n<\/ul>\r\n<p class=\"import-Normal\">With this statement faith overshadowed the evidence required of Aristotelian Empiricism. A standardized doctrine had been established and from henceforth citizens would know what rituals were to be taught. Standardization of \u201cauthentic\u201d scripture took a bit longer, but great minds had been contemplating the subject for some time. In the second century Irenaeus, bishop of Lyon, had noted that \u201c4\u201d is a perfect number. \u201cThere are four rivers in Paradise. There are four elements, winds from four directions, and four corners of the earth. Therefore the New Testament should have four gospels, no more, no less.\u201d<a href=\"#sdfootnote3sym\"><sup>3<\/sup><\/a> (Those four perfect books became identified as the Gospels: Matthew, Mark, Luke and John). Athanasius of Alexandria (who is credited with writing the Nicene Creed) later listed the 27 books that should be recognized.<a href=\"#sdfootnote4sym\"><sup>4<\/sup><\/a> Twenty-seven derives from two other perfect numbers, \u201c3\u201d and \u201c3\u201d times itself creating the perfection of \u201c9.\u201d \u201c9\u201d times \u201c3\u201d culminates in the consummate perfection of \u201c27.\u201d<a href=\"#sdfootnote5sym\"><sup>5<\/sup><\/a> Once the authoritative scriptures were established, they were copied at state expense.<\/p>\r\n<p class=\"import-Normal\">It took longer to standardize Christian religious music, with the project accomplished in the late sixth century by Pope Gregory the Great. Christian music had derived from the Hebrew Book of Psalms. The Rule of St. Benedict (534 CE) required that all 150 Psalms be memorized and sung over the course of each week. Fortunately, with eight to ten \u201coffices\u201d per day<a href=\"#sdfootnote6sym\"><sup>6<\/sup><\/a> there were numerous opportunities to sing the 3000 melodies, but still, the quantity to be memorized was a tremendous task. Imagine the joy when Pope Gregory had the melodies written down.<a href=\"#sdfootnote7sym\"><sup>7<\/sup><\/a> (While Pope Gregory\u2019s project satisfied a need, it also limited the creation of new music until Vatican Council II in 1965.)<\/p>\r\n<p class=\"import-Normal\">As we have seen<a href=\"#sdfootnote8sym\"><sup>8<\/sup><\/a> Constantine was fascinated with physical things that encapsulate the sacred, identified by us as <strong>relics<\/strong>. He sent his mother off to the Holy Land in 326-328 to bring home \u201cMysteries of the Passion\u201d that would give validity and power to the Christian story [image 7.90]. She returned with pieces of the cross, nails, a lance, and the crown of thorns. In 335 Constantine himself followed in search of body fragments, possessions of saints\u2014anything that would allow the faithful to know God.<\/p>\r\n\r\n\r\n[caption id=\"\" align=\"aligncenter\" width=\"677\"]<img src=\"https:\/\/pressbooks.ccconline.org\/ppschum1021earlycivilizations\/wp-content\/uploads\/sites\/194\/2024\/07\/image1-40.jpeg\" alt=\"A fresco of a veiled lady with a loose robe and hands raised in prayer. Saint Helena sits on a throne while a similarly dressed man talks to a crowd.\" width=\"677\" height=\"346\" \/> <strong>7.90<\/strong> Pilgrimage of St. Helena, Homilies of Saint Gregory of Nazianzus. Created between 879 and 882, Biblioth\u00e8que Nationale de France, Paris, France.<a href=\"#sdfootnote9sym\"><sup>9<\/sup><\/a>[\/caption]\r\n<p class=\"import-Normal\">Far be it for me to criticize one\u2019s devotion to relics when my culture clamors for all things glittered with \u201cstar dust:\u201d craving for Elvis\u2019 bath water, scrambling for a clip of Justin Bieber\u2019s hair (which sold in 2011 for $40,668), engaging in riotous behavior or fainting at pop concerts.<\/p>\r\n<p class=\"import-Normal\">Remember your own losses. Remember how you hungered for the smallest of souvenirs when someone you loved died. Anyone who has kept a snapshot of a lover and felt moved to kiss it, or has opened cupboards of a dead friend and felt the onrush of despair evoked by his or her presence in all that jumble of personal possessions has in a way had the same experience sought by the pilgrim when he gazed on Christ\u2019s face painted on Veronica\u2019s veil or worshipped at a relic of the True Cross.<\/p>\r\n\r\n<div class=\"textbox shaded\">\r\n<p class=\"import-Normal\">In your more empirical moments, however, you may be more inclined to agree with Chaucer\u2019s analysis of <em>The <\/em><em>Pardoner<\/em> (Indulgence Seller) as told in his General Introduction to the <em>Canterbury<\/em> <em>Tales<\/em>:<\/p>\r\n&nbsp;\r\n<p class=\"indent\" style=\"text-align: center\">There was no pardoner of equal grace,<\/p>\r\n<p class=\"indent\" style=\"text-align: center\">for in his trunk he had a pillow-case<\/p>\r\n<p class=\"indent\" style=\"text-align: center\">which he asserted was Our Lady\u2019s veil.<\/p>\r\n<p class=\"indent\" style=\"text-align: center\">He said he had a goblet of the sail<\/p>\r\n<p class=\"indent\" style=\"text-align: center\">St. Peter had the time when he<\/p>\r\n<p class=\"indent\" style=\"text-align: center\">made bold to walk the waves,<\/p>\r\n<p class=\"indent\" style=\"text-align: center\">till Jesu Christ took hold.<\/p>\r\n<p class=\"indent\" style=\"text-align: center\">He had a cross of metal set with stones,<\/p>\r\n<p class=\"indent\" style=\"text-align: center\">and in a glass, a rubble of pig\u2019s bones.<\/p>\r\n\r\n<\/div>\r\n<p class=\"import-Normal\">Relics (even an old pillow-case!) have no material value, but they do have spiritual strength. To quote the papal secretary St. Jerome (340-420), \u201cWe honor the martyr\u2019s relics\u2026.because we honor Him Whose witness they are\u2026we honor the servants, that the honor shown to them may reflect on their Master.\u201d<a href=\"#sdfootnote10sym\"><sup>10<\/sup><\/a> For the Emperor Constantine, this spiritual strength was enough to promote three types of relics: places, things and holy pictures.<\/p>\r\n<p class=\"import-Normal\"><strong>Relics<\/strong> <strong>as<\/strong> <strong>places<\/strong>. There has often been a need to give geographical expression to specific memories or beliefs. The Roman basilica plan was effective for processions, but a second type of plan, the <strong>tholos <\/strong>(aka central plan), was also created for holy relics, a tomb, or a baptistery. This round-dome building type will become as important as the rectangular basilica.<\/p>\r\n<p class=\"import-Normal\">This circular <em>tholos <\/em>(aka beehive tomb structure) was constructed during the Mycenaean era (1400-1100 BCE) in Bronze Age Greece [images 7.91 and 7.92]. It probably had no relationship with either Atreus (the father of Agamemnon) or Agamemnon, but it was so monumental and impressive that archaeologists gave it the sovereign\u2019s name. It is easy to understand how the visitor\u2019s gaze is drawn upward to the domed ceiling of the corbelled vault.<\/p>\r\n\r\n\r\n[caption id=\"\" align=\"alignleft\" width=\"366\"]<img src=\"https:\/\/pressbooks.ccconline.org\/ppschum1021earlycivilizations\/wp-content\/uploads\/sites\/194\/2024\/07\/image2-40.jpeg\" alt=\"A stone walled entrance to a tomb. The post and lintel construction of the doorway is topped with a pointed arch.\" width=\"366\" height=\"190\" \/> <strong>7.91<\/strong> The tholos \u201cBeehive\u201d Tomb of Agamemnon (AKA Tomb of Agamemnon) C. 1250 BCE, Mycenae, Argolis, Greece.<a href=\"#sdfootnote11sym\"><sup>11<\/sup><\/a>[\/caption]\r\n\r\n[caption id=\"attachment_1222\" align=\"alignleft\" width=\"282\"]<img class=\"wp-image-1222\" src=\"https:\/\/pressbooks.ccconline.org\/ppschum1021earlycivilizations\/wp-content\/uploads\/sites\/194\/2024\/07\/7.92-300x202.jpg\" alt=\"A corbelled ceiling seen from inside the tomb. The viewer looks out the doorway from image 7.92.\" width=\"282\" height=\"190\" \/> <strong>7.92<\/strong> Interior of the tholos Tomb of Agamemnon (AKA Treasury of Atreus). C. 1250 BCE, Mycenae, Argolis,\u00a0Greece. The lintel across the doorway, the largest in the world, weighs 120 tons, with approximate dimensions 8.3 x 5.2 x 1.2m.<a href=\"#sdfootnote12sym\"><sup>12<\/sup><\/a>[\/caption]\r\n<p class=\"import-Normal\">On Mt. Parnassus, at the \u201ccenter of the earth,\u201d we find the altar to Athena Pronaia [image 7.93]. (The Oracle of Apollo, which used to give advice from this site, was abolished by Theodosius in 393 when the emperor made Christianity the official religion of the Roman Empire.) Since ancient times the circle has represented timeless, the eternal present of the heavenly realm.<\/p>\r\n\r\n\r\n[caption id=\"\" align=\"aligncenter\" width=\"543\"]<img src=\"https:\/\/pressbooks.ccconline.org\/ppschum1021earlycivilizations\/wp-content\/uploads\/sites\/194\/2024\/07\/image6-30.jpeg\" alt=\"The ruins of a round Greek temple with a section of three pillars standing.\" width=\"543\" height=\"361\" \/> <strong>7.93<\/strong> The Tholos of Delphi, Sanctuary of Athena Pronaia, \u201cAthena of Forethought.\u201d 380-360 BCE, Delphi, Greece.<a href=\"#sdfootnote13sym\"><sup>13<\/sup><\/a>[\/caption]\r\n<p class=\"import-Normal\">The circular area in the center of the Greek theater [image 7.94] was known as the <em>orcheisthai<\/em>. Dionysus\u2019 altar was in the center of this stage. Gods could be distinguished from other actors because they wore shoes on the sacred dancing place<a href=\"#sdfootnote14sym\"><sup>14<\/sup><\/a>; others went barefoot. The stage was for drama, yes, but also for dance, songs, and celebrations in honor of the god Dionysus.<\/p>\r\n\r\n\r\n[caption id=\"\" align=\"aligncenter\" width=\"644\"]<img src=\"https:\/\/pressbooks.ccconline.org\/ppschum1021earlycivilizations\/wp-content\/uploads\/sites\/194\/2024\/07\/image7-25.jpeg\" alt=\"The orchestra of a theater seen from above the theatron. Stone Roman seating has been added.\" width=\"644\" height=\"241\" \/> <strong>7.94<\/strong> Theatre at Epidaurus. Constructed c. 350 BCE, Epidaurus, Greece.<a href=\"#sdfootnote15sym\"><sup>15<\/sup><\/a>[\/caption]\r\n<p class=\"import-Normal\">The Pantheon in Rome [images 7.95 and 7.96] was dedicated to \u201call\u201d the gods. Like the tholos in Mycenae, the viewer\u2019s gaze is drawn upwards toward the oculus. As the superlative example of both exterior and interior harmony, its size and resolution of both structural and aesthetic challenges made this a three-dimensional textbook for centuries.<\/p>\r\n\r\n\r\n[caption id=\"\" align=\"alignleft\" width=\"395\"]<img src=\"https:\/\/pressbooks.ccconline.org\/ppschum1021earlycivilizations\/wp-content\/uploads\/sites\/194\/2024\/07\/image8-26.jpeg\" alt=\"A bird\u2019s eye view of the Pantheon demonstrating the round drum that makes up the walls of the building and the dome that tops the walls. \" width=\"395\" height=\"222\" \/> <strong>7.95<\/strong> Aerial view of the Pantheon. 118-125 CE, Rome, Italy.<a href=\"#sdfootnote16sym\"><sup>16<\/sup><\/a>[\/caption]\r\n\r\n[caption id=\"\" align=\"alignleft\" width=\"254\"]<img src=\"https:\/\/pressbooks.ccconline.org\/ppschum1021earlycivilizations\/wp-content\/uploads\/sites\/194\/2024\/07\/image9-22.jpeg\" alt=\"A partial view of the oculus as light shines through it and strikes a niche on the wall.\" width=\"254\" height=\"339\" \/> <strong>7.96<\/strong> Interior of the Pantheon. The noon sun is shining on a protective niche, prepared for a statue of one of the planetary gods.<a href=\"#sdfootnote17sym\"><sup>17<\/sup><\/a>[\/caption]\r\n<p class=\"import-Normal\">The emperor Constantine might have been directly responsible for this mausoleum dedicated to his daughter, Costantina [images 7.97-7.100]. The <strong>ambulatory <\/strong>(a barrel-vaulted passage) encircles the domed interior, accommodating pilgrims, who can\u2019t help but look up to admire the ceiling.<\/p>\r\n\r\n\r\n[caption id=\"\" align=\"alignleft\" width=\"337\"]<img src=\"https:\/\/pressbooks.ccconline.org\/ppschum1021earlycivilizations\/wp-content\/uploads\/sites\/194\/2024\/07\/image10-20.jpeg\" alt=\"The ruins of the complex of Saint Agnes. Only an ambulatory wall and a small round building, Santa Costanza, still stand.\" width=\"337\" height=\"189\" \/> <strong>7.97<\/strong> The mid-4th century complex of St. Agnes: panoramic view from the south Constantina (now St. Costanza). Built before 350 CE Rome, Italy.<sup>19<\/sup>[\/caption]\r\n\r\n[caption id=\"\" align=\"alignleft\" width=\"309\"]<img src=\"https:\/\/pressbooks.ccconline.org\/ppschum1021earlycivilizations\/wp-content\/uploads\/sites\/194\/2024\/07\/image11-19.jpeg\" alt=\"A ground plan of a round building with an ambulatory and porch.\" width=\"309\" height=\"380\" \/> <strong>7.98<\/strong> Plan of the Mausoleum of Santa Costanza, Rome, Italy. C. 350 CE.<a href=\"#sdfootnote18sym\"><sup>18<\/sup><\/a>[\/caption]\r\n\r\n[caption id=\"\" align=\"alignleft\" width=\"345\"]<img src=\"https:\/\/pressbooks.ccconline.org\/ppschum1021earlycivilizations\/wp-content\/uploads\/sites\/194\/2024\/07\/image12-15.jpeg\" alt=\"The interior of the building with light streaming in from clerestory windows. An altar has been placed in the center under the dome.\" width=\"345\" height=\"227\" \/> <strong>7.99<\/strong> Interior of Santa Costanza. Rome, Italy.<a href=\"#sdfootnote20sym\"><sup>20<\/sup><\/a>[\/caption]\r\n\r\n[caption id=\"\" align=\"alignleft\" width=\"300\"]<img src=\"https:\/\/pressbooks.ccconline.org\/ppschum1021earlycivilizations\/wp-content\/uploads\/sites\/194\/2024\/07\/image13-16.jpeg\" alt=\"A detailed mosaic with an image of a girl in the center. Around her are grape leaves and a scene of everyday life with oxen, carts and gazebos.\" width=\"300\" height=\"225\" \/> <strong>7.100<\/strong> The ceiling of Santa Costanza. Rome, Italy.<a href=\"#sdfootnote21sym\"><sup>21<\/sup><\/a>[\/caption]\r\n<p class=\"import-Normal\"><strong>Relics as things. <\/strong>Items which had belonged to saints were particularly precious and many have been saved. Believing that this nail came from Christ\u2019s right hand when he had been nailed to the cross, Constantine had the relic worked into his helmet. Jewelsmiths in 17<sup>th<\/sup> century Augsburg adorned it with gold, silver, enameling, emeralds, sapphires, topaz, amethyst, and other precious gems. The rock-crystal in which it is housed was believed to have represented the Transfiguration. Believing in its strong healing power, visitors would rub their rosaries on the capsule [image 7.101].<\/p>\r\n\r\n\r\n[caption id=\"\" align=\"aligncenter\" width=\"580\"]<img src=\"https:\/\/pressbooks.ccconline.org\/ppschum1021earlycivilizations\/wp-content\/uploads\/sites\/194\/2024\/07\/image14-10.jpeg\" alt=\"A golden sculpture of two angels holding a jeweled container that displays a nail.\" width=\"580\" height=\"634\" \/> <strong>7.101<\/strong> Ostensory with a Nail from Christ\u2019s Cross. Imperial Treasury of Vienna, Austria.<a href=\"#sdfootnote22sym\"><sup>22<\/sup><\/a>[\/caption]\r\n\r\n[caption id=\"\" align=\"alignleft\" width=\"157\"]<img src=\"https:\/\/pressbooks.ccconline.org\/ppschum1021earlycivilizations\/wp-content\/uploads\/sites\/194\/2024\/07\/image15.png\" alt=\"A gold container that looks like a church containing a fingerbone.\" width=\"157\" height=\"426\" \/> <strong>7.102<\/strong> Fingerbone of John the Baptist.Nelson-Atkins Museum of Art, Kansas City, Missouri.<a href=\"#sdfootnote23sym\"><sup>23<\/sup><\/a>[\/caption]\r\n\r\n[caption id=\"\" align=\"alignleft\" width=\"165\"]<img src=\"https:\/\/pressbooks.ccconline.org\/ppschum1021earlycivilizations\/wp-content\/uploads\/sites\/194\/2024\/07\/image16-6.jpeg\" alt=\"A silver and crystal container with a tooth in it.\" width=\"165\" height=\"432\" \/> <strong>7.103<\/strong> Reliquary with Tooth of John the Baptist. Art Institute of Chicago, Illinois.<a href=\"#sdfootnote24sym\"><sup>24<\/sup><\/a> Metalwork: 1375\/1400 Germany, Braunschweig Rock-crystal vessel: c. 1000 Egypt, Fatimid Dynasty (909-1171) Silver gilt and crystal[\/caption]\r\n<p class=\"import-Normal\">Both of these reliquaries were fashioned in the style of a Gothic edifice. As such, each forms an elaborate architectural frame for a translucent rock-crystal vessel from 10<sup>th<\/sup> century Egypt. Rock crystal was considered a precious stone in the medieval Islamic world and was used to create a number of luxurious secular objects, such as containers for fragrant oil. The silver-gilt reliquary in image 7.102 was probably assembled in Lower Saxony between 1400 and 1500. The reliquary in image 7.103 is from Braunschweig in north-central Germany and is dated to 1375-1400. An inscription along the base specifically identifies the relic as a tooth of Saint John the Baptist.<\/p>\r\n<p class=\"import-Normal\">The holy gown [image 7.104] was believed to have been worn by Mary, either when she gave birth to Christ, or at the time of the Annunciation. Whichever was the \u201ccorrect\u201d story, it was a gift to Charlemagne from the Empress Irene of Byzantium in 876. The citizens of Chartres believed that it gave protection in 911 when the city was besieged by the Vikings, and it has always been a good source of income! The reliquary in which it is displayed, of course, is modern.<\/p>\r\n\r\n\r\n[caption id=\"\" align=\"aligncenter\" width=\"1430\"]<img src=\"https:\/\/pressbooks.ccconline.org\/ppschum1021earlycivilizations\/wp-content\/uploads\/sites\/194\/2024\/07\/image17-8.jpeg\" alt=\"A modern gold container that displays a piece of off-white cloth. The container resembles an altar screen held up by two angels.\" width=\"1430\" height=\"1073\" \/> <strong>7.104<\/strong> The Sancta Camisia. Chartres Cathedral, Chartres, France.<a href=\"#sdfootnote25sym\"><sup>25<\/sup><\/a>[\/caption]\r\n<p class=\"import-Normal\"><strong>Relics<\/strong> <strong>as<\/strong> <strong>holy<\/strong> <strong>pictures. <\/strong>You will certainly get your fill of holy pictures as we examine Byzantine-influenced churches in Ravenna and Constantinople. For a \u201cpreview,\u201d here is a portrayal of the <em>Good<\/em> <em>Shepherd<\/em> at the Mausoleum of Galla Placidia in Ravenna [image 7.105].<\/p>\r\n\r\n\r\n[caption id=\"\" align=\"aligncenter\" width=\"593\"]<img src=\"https:\/\/pressbooks.ccconline.org\/ppschum1021earlycivilizations\/wp-content\/uploads\/sites\/194\/2024\/07\/image18-7.jpeg\" alt=\"A mosaic in a semi-circle. The Shepherd is dressed in gold and purple, royal colors, and holds a staff topped with a cross. There are three sheep on each side of him. The background is emblematic, rather than realistic.\" width=\"593\" height=\"389\" \/> <strong>7.105<\/strong> Mausoleum of Galla Placidia: Christ the Good Shepherd. 425-450, Ravenna, Italy.<a href=\"#sdfootnote26sym\"><sup>26<\/sup><\/a>[\/caption]\r\n<p class=\"import-Normal\">This is no ordinary shepherd. <em>How<\/em> <em>do<\/em> <em>we<\/em> <em>know<\/em> <em>that<\/em> <em>\u201ckingship\u201d<\/em> <em>is<\/em> <em>suggested?<\/em> The mosaic is filled with symbols, which are the language of religion in the same way that numbers are the language of science. Actually, this entire discussion on \u201cRelics\u201d has really been about \u201csymbols.\u201d When you learn to read the symbols, you will be understanding the mystical, complex ideas of the Byzantine era.<\/p>\r\n\r\n<h2>A MUSICAL REACTION TO \u201cLOOKING UP\u201d TOWARD A DOME<\/h2>\r\n<img class=\"aligncenter\" src=\"https:\/\/pressbooks.ccconline.org\/ppschum1021earlycivilizations\/wp-content\/uploads\/sites\/194\/2024\/07\/image19-1.png\" alt=\"Sheet music.\" width=\"394\" height=\"422\" \/>\r\n<p class=\"import-Normal\">The <strong>Gregorian Chant <\/strong>is still intentionally \u201csinging the words back to God which He has given to us,\u201d but, it is now a step removed from Plainchant music. Or perhaps, it should be said music has advanced by two steps.<\/p>\r\n<p class=\"import-Normal\">First step: Gregorian chant may be sung <strong>antiphonally, <\/strong>in parallel halves.<a href=\"#sdfootnote27sym\"><sup>27\u00a0<\/sup><\/a>The musicians are divided into two parts: the <strong>cantor, <\/strong>who established the pitch and gave the solo intonation, and the <strong>choral response <\/strong>to the stimulus.<\/p>\r\n<p class=\"import-Normal\">Therefore, the music is known as <strong>responsorial<\/strong> (solo and chorus).<\/p>\r\n<p class=\"import-Normal\">The second step was a decorative flourish added to the melody. The melody was probably based upon a well- known tune, but in a <strong>melismatic <\/strong>touch a single syllable has been elaborated upon and extended over several notes. Look up! Listen up! This is new!<\/p>\r\n\r\n<div class=\"textbox shaded\">\r\n<p class=\"import-Normal\">\u201cHaec Dies\u201d is a Gregorian Chant which was based Psalms 118:24 and 106:1. The text would have been appropriate for Easter Sunday.<\/p>\r\n<p style=\"text-align: justify\">Haec dies\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0This is the day<\/p>\r\n<p style=\"text-align: justify\">quan fecit Dominus.\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0which the Lord hath made;<\/p>\r\n<p style=\"text-align: justify\">exsultemus ea\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0we will rejoice and be<\/p>\r\n<p style=\"text-align: justify\">laetemur in ea.\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 glad of it.<\/p>\r\n<p style=\"text-align: justify\">Confitemini Domino\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 O give thanks to the<\/p>\r\n<p style=\"text-align: justify\">quoniam bonus:\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Lord, for He is good:<\/p>\r\n<p style=\"text-align: justify\">quoniam in saeculum\u00a0 \u00a0 \u00a0 \u00a0 for His mercy<\/p>\r\n<p style=\"text-align: justify\">misericordia\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 endureth<\/p>\r\n<p style=\"text-align: justify\">ejus.\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Forever.<\/p>\r\n&nbsp;\r\n\r\n<\/div>\r\n<p class=\"import-Normal\"><span style=\"text-align: initial;font-size: 1em\">The first phrase, \u201cHaec dies\u201d is sung as a solo intonation by the <\/span><strong style=\"text-align: initial;font-size: 1em\">cantor<\/strong><span style=\"text-align: initial;font-size: 1em\">. (On this score, the script looks like \u201cAec d\u00ed- es.\u201d\u00a0<\/span>Don\u2019t let that fool you.)<\/p>\r\nThe remainder of the hymn, \u201cquan fecit\u2026\u201d is sung as a <strong>choral<\/strong> <strong>response<\/strong>.\r\n\r\nThe <strong>melismatic<\/strong> flourish extends over important words, such as <em>Dominus<\/em> and <em>exsultemus<\/em>.\r\n\r\nSignificant elements:\r\n<p class=\"indent\">\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 The <strong>rhythm<\/strong> is dependent on the words.<\/p>\r\n<p class=\"indent\">\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 The <strong>pitch <\/strong>is also dependent on the words. The voice moves up and down just as we do when speaking.<\/p>\r\nBecause of the syllabic nature of this music, the <strong>meter <\/strong>is unmeasured. Besides, spiritual \u201ctruth\u201d is beyond all restrictions of time. God is beyond counting, beyond numbers, beyond rational understanding.\r\n<p class=\"indent\">\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0The <strong>harmony<\/strong> is monophonic; there is, after all, one God so his oneness should be emphasized.<\/p>\r\n<p class=\"indent\">\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0The <strong>instrumentation <\/strong>is \u201ca cappella\u201d\u2014only voices, praising God in unison.<\/p>\r\n\r\n<div class=\"textbox\">\r\n\r\n<em>How<\/em> <em>does<\/em> <em>the<\/em> <em>music<\/em> <em>offer<\/em> <em>an<\/em> <em>interpretation<\/em> <em>of<\/em> <em>the<\/em> <em>text? <\/em><em>Does<\/em> <em>the<\/em> <em>music<\/em> <em>make<\/em> <em>any<\/em> <em>sense<\/em> <em>as<\/em> <em>a<\/em> <em>melody<\/em> <em>without<\/em> <em>words?\u00a0<\/em>\r\n<p class=\"indent\">It is not memorable on its own. There are no phrases, there is no inner logic.<\/p>\r\n<em>What<\/em> <em>are<\/em> <em>the<\/em> <em>similarities<\/em> <em>between<\/em> <em>the<\/em> <em>Platonic<\/em> <em>and<\/em> <em>early<\/em> <em>Christian<\/em> <em>views<\/em> <em>of<\/em> <em>music?\u00a0<\/em>\r\n\r\n<\/div>\r\n&nbsp;\r\n\r\n<\/div>\r\n<strong>References:<\/strong>\r\n<div class=\"7.8-relics-of-faith\">\r\n\r\n<a href=\"#sdfootnote1anc\">1<\/a>. \u201cEcumenical\u201d means \u201call-world,\u201d but in this case, \u201call-Mediterranean\u201d is closer to reality.\r\n\r\n<a href=\"#sdfootnote2anc\">2<\/a>. Loyolapress.com\/our-catholic-faith\/prayer\/traditional-catholic-prayers\/prayers-every-catholic-should-know\/Nicene-creed\r\n\r\n<a href=\"#sdfootnote3anc\">3<\/a>. <em>Against<\/em> <em>Heresies<\/em>, Book III, Chapter 11.\r\n\r\n<a href=\"#sdfootnote4anc\">4<\/a>. <em>The<\/em> <em>39<\/em><em>th<\/em> <em>Festal<\/em> <em>Letter<\/em> <em>of<\/em> <em>Athanasius<\/em>, 367 CE.\r\n\r\n<a href=\"#sdfootnote5anc\">5<\/a>. This number may sound familiar. You might remember that according to Thucydides, the Peloponnesian War lasted 27 years. However long it lasted, it was an auspicious number.\r\n\r\n<a href=\"#sdfootnote6anc\">6<\/a>. Depending on the time of the year, monks would rise between 1:30 and 3:00 AM for \u201cnocturne\u201d or \u201cvigil\u201d and have \u201cvespers\u201d (night prayers) between 4:15 and 5:45. Between these times there were eight \u201coffices\u201d (services) as well as time for manual labor and daily study.\r\n\r\n<a href=\"#sdfootnote7anc\">7<\/a>. Gregory lived from 540 to 604; he was Pope from 590-604. In the absence of the Roman Imperial government, the church had assumed much of the responsibility for food supply, organ amenities, and even defense against the Lombards\u2014therefore, Pope Gregory became the quasi-ruler in the old Imperial capital of Rome.\r\n\r\n<a href=\"#sdfootnote8anc\">8<\/a>. See Hartman, Kathleen J. \u201cChapter 7, The Ambition of Constantine<em>.\u201d Humanities: New Meaning from the Ancient World. <\/em>Colorado Springs, CO: Pikes Peak Community College, 2020. CC BY-NC 4.0 License.\r\n\r\n<a href=\"#sdfootnote9anc\">9<\/a>. Public domain at commons.wikimedia.org\/wiki\/Category:Biblioth%C3%A8que_ Nationale_MS_Gr._510# \/media\/File: Homilies_of_Gregory_the_Theologian_gr._510,_f_891.jpg\r\n\r\n<a href=\"#sdfootnote10anc\">10<\/a>. St. Jerome, <em>Ad<\/em> <em>Riparium<\/em>, i, P.L., XXII, 907.\r\n\r\n<a href=\"#sdfootnote11anc\">11.<\/a> Public domain at commons.wikimedia.org\/wiki\/File: The_tholos_tomb_Treasury_of_Atreus_or_Tomb_ of_Agamemnon_in_ Mycenae.jpg\r\n\r\n<a href=\"#sdfootnote12anc\">12<\/a>. Ibid.\r\n\r\n<a href=\"#sdfootnote13anc\">13<\/a>. Public domain at https:\/\/commons.wikimedia.org\/wiki\/File:The_tholos_of_Athena_Pronaia.jpg\r\n\r\n<a href=\"#sdfootnote14anc\">14<\/a>. Exodus 3:5 relates how Moses was told \u201cput off thy shoes from off thy feet, for the place whereon thou standest is holy ground\u201d (KJV).\r\n\r\n<a href=\"#sdfootnote15anc\">15<\/a>. Photo by Syenna Tindall, friend of the author, 2017. Used by permission. CC BY-NC 4.0 License.\r\n\r\n<a href=\"#sdfootnote16anc\">16<\/a>. Pantheon aerial view \/ Getty Images, Creative Commons cited on <a class=\"rId28\" href=\"https:\/\/brewminate.com\/rome-and-a-villa-hadrians-pantheon-and-tivoli-retreat\/\">brewminate.com\/rome-and-a-villa-hadrians-pantheon-and-tivoli-<\/a> <a class=\"rId29\" href=\"https:\/\/brewminate.com\/rome-and-a-villa-hadrians-pantheon-and-tivoli-retreat\/\">retreat\/<\/a>\r\n\r\n<a href=\"#sdfootnote17anc\">17.<\/a> Photo by the author, Kathleen J. Hartman, 2006. CC BY-NC 4.0 License.\r\n\r\n<a href=\"#sdfootnote18anc\">18<\/a>. Public domain at commons.wikimedia.org\/wiki\/File:EB1911_Rome_-_Plan_of_Church_and_Mausoleum_of_Constanza.jpg\r\n\r\n<a href=\"#sdfootnote19anc\">19<\/a>. Photo courtesy of <a class=\"rId30\" href=\"http:\/\/www.santagnese.org\/galleria_foto.htm\">santagnese.org,<\/a> Creative Commons License <a class=\"rId31\" href=\"https:\/\/creativecommons.org\/licenses\/by-sa\/2.0\/\">(CC BY-SA 2.0<\/a>).\r\n\r\n<a href=\"#sdfootnote20anc\">20<\/a>. Public domain at commons.wikimedia.org\/wiki\/File:S_Costanza_1160909-10-11.JPG\r\n\r\n<a href=\"#sdfootnote21anc\">21<\/a>. Photo by the author, Kathleen J. Hartman, 2017. CC BY-NC 4.0 License.\r\n\r\n<a href=\"#sdfootnote22anc\">22<\/a>. Photo by the author, Kathleen J. Hartman, 2010. CC BY-NC 4.0 License.\r\n\r\n<a href=\"#sdfootnote23anc\">23<\/a>. Photo by the author, Kathleen J. Hartman, 2006. CC BY-NC 4.0 License.\r\n\r\n<a href=\"#sdfootnote24anc\">24<\/a>. Photo by the author, Kathleen J. Hartman, 2016. CC BY-NC 4.0 License.\r\n\r\n<a href=\"#sdfootnote25anc\">25<\/a>. Public domain at upload.wikimedia.org\/wikipedia\/commons\/8\/8a\/Chartres_cathedral_2850.jpg\r\n\r\n<a href=\"#sdfootnote26anc\">26.<\/a> Photo by the author, Kathleen J. Hartman, 2016. CC BY-NC 4.0 License.\r\n\r\n<a href=\"#sdfootnote27anc\">27<\/a>. \u201cAntiphonal\u201d is the root of our word \u201canthem.\u201d\r\n\r\n<\/div>","rendered":"<div class=\"7.8-relics-of-faith\">\n<h2>The Nicene Creed<\/h2>\n<p class=\"import-Normal\">Before the days of the Emperor Constantine, the Roman government didn\u2019t care about faith-based religion. Ritual was important; it was necessary to honor the gods who could assist and protect you, who could influence the outcome of any process that was risky, uncertain or incomprehensible. Proper performance was essential. With proper ritual the gods could grant health and prosperity. In contrast to pagan religions, Christianity was a religion of belief, not of cultic ritual. Its controlling principle, how to be right with God, was set with the belief in Jesus as God and in the sacrifice of his life.<\/p>\n<p class=\"import-Normal\">While Constantine was a pragmatic politician, using whatever means available to achieve a stable empire, Jesus was non-political. As demonstrated in the <em>Sermon on the Mount <\/em>he was a pacifist and condemned worldly authority. But the Emperor ruled over an empire with a strong military tradition. Theologians had to rethink Christ\u2019s previous and uncompromising hostility toward warfare of all sorts. If Christianity was going to work in a state ruled by a monarchy, it would have to change.<\/p>\n<p class=\"import-Normal\">To solidify his power, in 325 Constantine called the First Ecumenical<a href=\"#sdfootnote1sym\"><sup>1<\/sup><\/a> Council at Nicaea (near the Eastern Imperial residence at Nicomedia; modern Iznik, Turkey) to formalize Christian belief about the divinity of Jesus. Giving his active support to Trinitarian Christianity, the emperor covered all travel and accommodation expenses and presided over the Council. Foremost among the Council\u2019s concerns were the heretical Arians, who were understood as \u201cpagan\u201d because they denied the divinity of Jesus and rejected the concept of the Trinity.<\/p>\n<p class=\"import-Normal\">\u201cTrinitarian Christianity\u201d accentuated all possible opportunities to promote the three-part nature of God the Father, Jesus Christ the Son, and the Holy Spirit. Trinitarian practices were expressed in a standardized <strong>creed<\/strong>, authoritative <strong>scripture<\/strong>, and approved <strong>hymns<\/strong>, performed to a rhythm of \u201c3.\u201d Additionally, there were to be no more than three sacred languages (Greek, Latin and Hebrew).<\/p>\n<p class=\"import-Normal\">Jesus\u2019 Jewish heritage had established a precedent for both a creed and a sacred text. The Jewish \u201cshema\u201d was recognized as the fundamental expression of Jewish belief: \u201cHear, Israel, the Lord is our God, the Lord is One.\u201d Jesus\u2019 sacred text was the Torah, the law of God as revealed to Moses and recorded in the first five books of the Hebrew Scriptures (the Pentateuch). Had Jesus lived longer perhaps he, himself, would have been the authority, the scripture, but he didn\u2019t write anything.<\/p>\n<p>It was at this Council that the creed, to be known as the Nicene Creed was written. The statement, as used today<a href=\"#sdfootnote2sym\"><sup>2<\/sup><\/a>:<\/p>\n<div class=\"textbox\">\n<p class=\"import-BodyText\" style=\"text-align: center\"><strong>NICENE CREED, 325<\/strong><\/p>\n<p class=\"import-BodyText\">I believe in one God the Father Almighty, maker of heaven and earth, and of all things visible and invisible.<\/p>\n<p class=\"import-BodyText\">I believe in one Lord Jesus Christ, the Only-Begotten Son of God, born of the Father before all ages, God from God, Light from Light, true God from true God, begotten not made, consubstantial with the Father, through him all things were made. For us men and for our salvation he came down from heaven, and by the Holy Spirit was incarnate of the Virgin Mary, and became man. For our sake he was crucified under Pontius Pilate, he suffered death and was buried, and rose again on the third day in accordance with the Scriptures. He ascended into heaven, and is seated at the right hand of the Father. He will come again in glory to judge the living and the dead and his kingdom will have no end.<\/p>\n<p class=\"import-BodyText\">I believe in the Holy Spirit, the Lord, the giver of Life, who proceeds from the Father and the Son, who with the Father and the Son is adored and glorified, who has spoken through the prophets.<\/p>\n<p class=\"import-BodyText\">I believe in one, holy, catholic and apostolic Church. I confess one Baptism for the forgiveness of sins and I look forward to the resurrection of the dead, and the life of the world to come.<\/p>\n<p class=\"import-BodyText\">Amen.<\/p>\n<\/div>\n<p class=\"import-Normal\">Notice that the Nicene Creed\u2019s essential definition of the divine was in three parts: God the Father, Jesus Christ the Son and the Holy Spirit, which were unified into one statement of belief. The fourth section refers to the believer. The statement pledges commitment to additional miraculous phenomena, including:<\/p>\n<ul>\n<li>God and Jesus are \u201cconsubstantial\u201d (made from one divine substance)<\/li>\n<li>Jesus was born of a virgin<\/li>\n<li>Jesus died, and rose from the dead (as had the heroes Osiris, Theseus, Herakles, Orpheus and Octavian)<\/li>\n<li>And the believer, too, will be resurrected<\/li>\n<\/ul>\n<p class=\"import-Normal\">With this statement faith overshadowed the evidence required of Aristotelian Empiricism. A standardized doctrine had been established and from henceforth citizens would know what rituals were to be taught. Standardization of \u201cauthentic\u201d scripture took a bit longer, but great minds had been contemplating the subject for some time. In the second century Irenaeus, bishop of Lyon, had noted that \u201c4\u201d is a perfect number. \u201cThere are four rivers in Paradise. There are four elements, winds from four directions, and four corners of the earth. Therefore the New Testament should have four gospels, no more, no less.\u201d<a href=\"#sdfootnote3sym\"><sup>3<\/sup><\/a> (Those four perfect books became identified as the Gospels: Matthew, Mark, Luke and John). Athanasius of Alexandria (who is credited with writing the Nicene Creed) later listed the 27 books that should be recognized.<a href=\"#sdfootnote4sym\"><sup>4<\/sup><\/a> Twenty-seven derives from two other perfect numbers, \u201c3\u201d and \u201c3\u201d times itself creating the perfection of \u201c9.\u201d \u201c9\u201d times \u201c3\u201d culminates in the consummate perfection of \u201c27.\u201d<a href=\"#sdfootnote5sym\"><sup>5<\/sup><\/a> Once the authoritative scriptures were established, they were copied at state expense.<\/p>\n<p class=\"import-Normal\">It took longer to standardize Christian religious music, with the project accomplished in the late sixth century by Pope Gregory the Great. Christian music had derived from the Hebrew Book of Psalms. The Rule of St. Benedict (534 CE) required that all 150 Psalms be memorized and sung over the course of each week. Fortunately, with eight to ten \u201coffices\u201d per day<a href=\"#sdfootnote6sym\"><sup>6<\/sup><\/a> there were numerous opportunities to sing the 3000 melodies, but still, the quantity to be memorized was a tremendous task. Imagine the joy when Pope Gregory had the melodies written down.<a href=\"#sdfootnote7sym\"><sup>7<\/sup><\/a> (While Pope Gregory\u2019s project satisfied a need, it also limited the creation of new music until Vatican Council II in 1965.)<\/p>\n<p class=\"import-Normal\">As we have seen<a href=\"#sdfootnote8sym\"><sup>8<\/sup><\/a> Constantine was fascinated with physical things that encapsulate the sacred, identified by us as <strong>relics<\/strong>. He sent his mother off to the Holy Land in 326-328 to bring home \u201cMysteries of the Passion\u201d that would give validity and power to the Christian story [image 7.90]. She returned with pieces of the cross, nails, a lance, and the crown of thorns. In 335 Constantine himself followed in search of body fragments, possessions of saints\u2014anything that would allow the faithful to know God.<\/p>\n<figure style=\"width: 677px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/pressbooks.ccconline.org\/ppschum1021earlycivilizations\/wp-content\/uploads\/sites\/194\/2024\/07\/image1-40.jpeg\" alt=\"A fresco of a veiled lady with a loose robe and hands raised in prayer. Saint Helena sits on a throne while a similarly dressed man talks to a crowd.\" width=\"677\" height=\"346\" \/><figcaption class=\"wp-caption-text\"><strong>7.90<\/strong> Pilgrimage of St. Helena, Homilies of Saint Gregory of Nazianzus. Created between 879 and 882, Biblioth\u00e8que Nationale de France, Paris, France.<a href=\"#sdfootnote9sym\"><sup>9<\/sup><\/a><\/figcaption><\/figure>\n<p class=\"import-Normal\">Far be it for me to criticize one\u2019s devotion to relics when my culture clamors for all things glittered with \u201cstar dust:\u201d craving for Elvis\u2019 bath water, scrambling for a clip of Justin Bieber\u2019s hair (which sold in 2011 for $40,668), engaging in riotous behavior or fainting at pop concerts.<\/p>\n<p class=\"import-Normal\">Remember your own losses. Remember how you hungered for the smallest of souvenirs when someone you loved died. Anyone who has kept a snapshot of a lover and felt moved to kiss it, or has opened cupboards of a dead friend and felt the onrush of despair evoked by his or her presence in all that jumble of personal possessions has in a way had the same experience sought by the pilgrim when he gazed on Christ\u2019s face painted on Veronica\u2019s veil or worshipped at a relic of the True Cross.<\/p>\n<div class=\"textbox shaded\">\n<p class=\"import-Normal\">In your more empirical moments, however, you may be more inclined to agree with Chaucer\u2019s analysis of <em>The <\/em><em>Pardoner<\/em> (Indulgence Seller) as told in his General Introduction to the <em>Canterbury<\/em> <em>Tales<\/em>:<\/p>\n<p>&nbsp;<\/p>\n<p class=\"indent\" style=\"text-align: center\">There was no pardoner of equal grace,<\/p>\n<p class=\"indent\" style=\"text-align: center\">for in his trunk he had a pillow-case<\/p>\n<p class=\"indent\" style=\"text-align: center\">which he asserted was Our Lady\u2019s veil.<\/p>\n<p class=\"indent\" style=\"text-align: center\">He said he had a goblet of the sail<\/p>\n<p class=\"indent\" style=\"text-align: center\">St. Peter had the time when he<\/p>\n<p class=\"indent\" style=\"text-align: center\">made bold to walk the waves,<\/p>\n<p class=\"indent\" style=\"text-align: center\">till Jesu Christ took hold.<\/p>\n<p class=\"indent\" style=\"text-align: center\">He had a cross of metal set with stones,<\/p>\n<p class=\"indent\" style=\"text-align: center\">and in a glass, a rubble of pig\u2019s bones.<\/p>\n<\/div>\n<p class=\"import-Normal\">Relics (even an old pillow-case!) have no material value, but they do have spiritual strength. To quote the papal secretary St. Jerome (340-420), \u201cWe honor the martyr\u2019s relics\u2026.because we honor Him Whose witness they are\u2026we honor the servants, that the honor shown to them may reflect on their Master.\u201d<a href=\"#sdfootnote10sym\"><sup>10<\/sup><\/a> For the Emperor Constantine, this spiritual strength was enough to promote three types of relics: places, things and holy pictures.<\/p>\n<p class=\"import-Normal\"><strong>Relics<\/strong> <strong>as<\/strong> <strong>places<\/strong>. There has often been a need to give geographical expression to specific memories or beliefs. The Roman basilica plan was effective for processions, but a second type of plan, the <strong>tholos <\/strong>(aka central plan), was also created for holy relics, a tomb, or a baptistery. This round-dome building type will become as important as the rectangular basilica.<\/p>\n<p class=\"import-Normal\">This circular <em>tholos <\/em>(aka beehive tomb structure) was constructed during the Mycenaean era (1400-1100 BCE) in Bronze Age Greece [images 7.91 and 7.92]. It probably had no relationship with either Atreus (the father of Agamemnon) or Agamemnon, but it was so monumental and impressive that archaeologists gave it the sovereign\u2019s name. It is easy to understand how the visitor\u2019s gaze is drawn upward to the domed ceiling of the corbelled vault.<\/p>\n<figure style=\"width: 366px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/pressbooks.ccconline.org\/ppschum1021earlycivilizations\/wp-content\/uploads\/sites\/194\/2024\/07\/image2-40.jpeg\" alt=\"A stone walled entrance to a tomb. The post and lintel construction of the doorway is topped with a pointed arch.\" width=\"366\" height=\"190\" \/><figcaption class=\"wp-caption-text\"><strong>7.91<\/strong> The tholos \u201cBeehive\u201d Tomb of Agamemnon (AKA Tomb of Agamemnon) C. 1250 BCE, Mycenae, Argolis, Greece.<a href=\"#sdfootnote11sym\"><sup>11<\/sup><\/a><\/figcaption><\/figure>\n<figure id=\"attachment_1222\" aria-describedby=\"caption-attachment-1222\" style=\"width: 282px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1222\" src=\"https:\/\/pressbooks.ccconline.org\/ppschum1021earlycivilizations\/wp-content\/uploads\/sites\/194\/2024\/07\/7.92-300x202.jpg\" alt=\"A corbelled ceiling seen from inside the tomb. The viewer looks out the doorway from image 7.92.\" width=\"282\" height=\"190\" srcset=\"https:\/\/pressbooks.ccconline.org\/ppschum1021earlycivilizations\/wp-content\/uploads\/sites\/194\/2024\/07\/7.92-300x202.jpg 300w, https:\/\/pressbooks.ccconline.org\/ppschum1021earlycivilizations\/wp-content\/uploads\/sites\/194\/2024\/07\/7.92-65x44.jpg 65w, https:\/\/pressbooks.ccconline.org\/ppschum1021earlycivilizations\/wp-content\/uploads\/sites\/194\/2024\/07\/7.92-225x151.jpg 225w, https:\/\/pressbooks.ccconline.org\/ppschum1021earlycivilizations\/wp-content\/uploads\/sites\/194\/2024\/07\/7.92-350x235.jpg 350w, https:\/\/pressbooks.ccconline.org\/ppschum1021earlycivilizations\/wp-content\/uploads\/sites\/194\/2024\/07\/7.92.jpg 570w\" sizes=\"auto, (max-width: 282px) 100vw, 282px\" \/><figcaption id=\"caption-attachment-1222\" class=\"wp-caption-text\"><strong>7.92<\/strong> Interior of the tholos Tomb of Agamemnon (AKA Treasury of Atreus). C. 1250 BCE, Mycenae, Argolis,\u00a0Greece. The lintel across the doorway, the largest in the world, weighs 120 tons, with approximate dimensions 8.3 x 5.2 x 1.2m.<a href=\"#sdfootnote12sym\"><sup>12<\/sup><\/a><\/figcaption><\/figure>\n<p class=\"import-Normal\">On Mt. Parnassus, at the \u201ccenter of the earth,\u201d we find the altar to Athena Pronaia [image 7.93]. (The Oracle of Apollo, which used to give advice from this site, was abolished by Theodosius in 393 when the emperor made Christianity the official religion of the Roman Empire.) Since ancient times the circle has represented timeless, the eternal present of the heavenly realm.<\/p>\n<figure style=\"width: 543px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/pressbooks.ccconline.org\/ppschum1021earlycivilizations\/wp-content\/uploads\/sites\/194\/2024\/07\/image6-30.jpeg\" alt=\"The ruins of a round Greek temple with a section of three pillars standing.\" width=\"543\" height=\"361\" \/><figcaption class=\"wp-caption-text\"><strong>7.93<\/strong> The Tholos of Delphi, Sanctuary of Athena Pronaia, \u201cAthena of Forethought.\u201d 380-360 BCE, Delphi, Greece.<a href=\"#sdfootnote13sym\"><sup>13<\/sup><\/a><\/figcaption><\/figure>\n<p class=\"import-Normal\">The circular area in the center of the Greek theater [image 7.94] was known as the <em>orcheisthai<\/em>. Dionysus\u2019 altar was in the center of this stage. Gods could be distinguished from other actors because they wore shoes on the sacred dancing place<a href=\"#sdfootnote14sym\"><sup>14<\/sup><\/a>; others went barefoot. The stage was for drama, yes, but also for dance, songs, and celebrations in honor of the god Dionysus.<\/p>\n<figure style=\"width: 644px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/pressbooks.ccconline.org\/ppschum1021earlycivilizations\/wp-content\/uploads\/sites\/194\/2024\/07\/image7-25.jpeg\" alt=\"The orchestra of a theater seen from above the theatron. Stone Roman seating has been added.\" width=\"644\" height=\"241\" \/><figcaption class=\"wp-caption-text\"><strong>7.94<\/strong> Theatre at Epidaurus. Constructed c. 350 BCE, Epidaurus, Greece.<a href=\"#sdfootnote15sym\"><sup>15<\/sup><\/a><\/figcaption><\/figure>\n<p class=\"import-Normal\">The Pantheon in Rome [images 7.95 and 7.96] was dedicated to \u201call\u201d the gods. Like the tholos in Mycenae, the viewer\u2019s gaze is drawn upwards toward the oculus. As the superlative example of both exterior and interior harmony, its size and resolution of both structural and aesthetic challenges made this a three-dimensional textbook for centuries.<\/p>\n<figure style=\"width: 395px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/pressbooks.ccconline.org\/ppschum1021earlycivilizations\/wp-content\/uploads\/sites\/194\/2024\/07\/image8-26.jpeg\" alt=\"A bird\u2019s eye view of the Pantheon demonstrating the round drum that makes up the walls of the building and the dome that tops the walls.\" width=\"395\" height=\"222\" \/><figcaption class=\"wp-caption-text\"><strong>7.95<\/strong> Aerial view of the Pantheon. 118-125 CE, Rome, Italy.<a href=\"#sdfootnote16sym\"><sup>16<\/sup><\/a><\/figcaption><\/figure>\n<figure style=\"width: 254px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/pressbooks.ccconline.org\/ppschum1021earlycivilizations\/wp-content\/uploads\/sites\/194\/2024\/07\/image9-22.jpeg\" alt=\"A partial view of the oculus as light shines through it and strikes a niche on the wall.\" width=\"254\" height=\"339\" \/><figcaption class=\"wp-caption-text\"><strong>7.96<\/strong> Interior of the Pantheon. The noon sun is shining on a protective niche, prepared for a statue of one of the planetary gods.<a href=\"#sdfootnote17sym\"><sup>17<\/sup><\/a><\/figcaption><\/figure>\n<p class=\"import-Normal\">The emperor Constantine might have been directly responsible for this mausoleum dedicated to his daughter, Costantina [images 7.97-7.100]. The <strong>ambulatory <\/strong>(a barrel-vaulted passage) encircles the domed interior, accommodating pilgrims, who can\u2019t help but look up to admire the ceiling.<\/p>\n<figure style=\"width: 337px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/pressbooks.ccconline.org\/ppschum1021earlycivilizations\/wp-content\/uploads\/sites\/194\/2024\/07\/image10-20.jpeg\" alt=\"The ruins of the complex of Saint Agnes. Only an ambulatory wall and a small round building, Santa Costanza, still stand.\" width=\"337\" height=\"189\" \/><figcaption class=\"wp-caption-text\"><strong>7.97<\/strong> The mid-4th century complex of St. Agnes: panoramic view from the south Constantina (now St. Costanza). Built before 350 CE Rome, Italy.<sup>19<\/sup><\/figcaption><\/figure>\n<figure style=\"width: 309px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/pressbooks.ccconline.org\/ppschum1021earlycivilizations\/wp-content\/uploads\/sites\/194\/2024\/07\/image11-19.jpeg\" alt=\"A ground plan of a round building with an ambulatory and porch.\" width=\"309\" height=\"380\" \/><figcaption class=\"wp-caption-text\"><strong>7.98<\/strong> Plan of the Mausoleum of Santa Costanza, Rome, Italy. C. 350 CE.<a href=\"#sdfootnote18sym\"><sup>18<\/sup><\/a><\/figcaption><\/figure>\n<figure style=\"width: 345px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/pressbooks.ccconline.org\/ppschum1021earlycivilizations\/wp-content\/uploads\/sites\/194\/2024\/07\/image12-15.jpeg\" alt=\"The interior of the building with light streaming in from clerestory windows. An altar has been placed in the center under the dome.\" width=\"345\" height=\"227\" \/><figcaption class=\"wp-caption-text\"><strong>7.99<\/strong> Interior of Santa Costanza. Rome, Italy.<a href=\"#sdfootnote20sym\"><sup>20<\/sup><\/a><\/figcaption><\/figure>\n<figure style=\"width: 300px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/pressbooks.ccconline.org\/ppschum1021earlycivilizations\/wp-content\/uploads\/sites\/194\/2024\/07\/image13-16.jpeg\" alt=\"A detailed mosaic with an image of a girl in the center. Around her are grape leaves and a scene of everyday life with oxen, carts and gazebos.\" width=\"300\" height=\"225\" \/><figcaption class=\"wp-caption-text\"><strong>7.100<\/strong> The ceiling of Santa Costanza. Rome, Italy.<a href=\"#sdfootnote21sym\"><sup>21<\/sup><\/a><\/figcaption><\/figure>\n<p class=\"import-Normal\"><strong>Relics as things. <\/strong>Items which had belonged to saints were particularly precious and many have been saved. Believing that this nail came from Christ\u2019s right hand when he had been nailed to the cross, Constantine had the relic worked into his helmet. Jewelsmiths in 17<sup>th<\/sup> century Augsburg adorned it with gold, silver, enameling, emeralds, sapphires, topaz, amethyst, and other precious gems. The rock-crystal in which it is housed was believed to have represented the Transfiguration. Believing in its strong healing power, visitors would rub their rosaries on the capsule [image 7.101].<\/p>\n<figure style=\"width: 580px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/pressbooks.ccconline.org\/ppschum1021earlycivilizations\/wp-content\/uploads\/sites\/194\/2024\/07\/image14-10.jpeg\" alt=\"A golden sculpture of two angels holding a jeweled container that displays a nail.\" width=\"580\" height=\"634\" \/><figcaption class=\"wp-caption-text\"><strong>7.101<\/strong> Ostensory with a Nail from Christ\u2019s Cross. Imperial Treasury of Vienna, Austria.<a href=\"#sdfootnote22sym\"><sup>22<\/sup><\/a><\/figcaption><\/figure>\n<figure style=\"width: 157px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/pressbooks.ccconline.org\/ppschum1021earlycivilizations\/wp-content\/uploads\/sites\/194\/2024\/07\/image15.png\" alt=\"A gold container that looks like a church containing a fingerbone.\" width=\"157\" height=\"426\" \/><figcaption class=\"wp-caption-text\"><strong>7.102<\/strong> Fingerbone of John the Baptist.Nelson-Atkins Museum of Art, Kansas City, Missouri.<a href=\"#sdfootnote23sym\"><sup>23<\/sup><\/a><\/figcaption><\/figure>\n<figure style=\"width: 165px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/pressbooks.ccconline.org\/ppschum1021earlycivilizations\/wp-content\/uploads\/sites\/194\/2024\/07\/image16-6.jpeg\" alt=\"A silver and crystal container with a tooth in it.\" width=\"165\" height=\"432\" \/><figcaption class=\"wp-caption-text\"><strong>7.103<\/strong> Reliquary with Tooth of John the Baptist. Art Institute of Chicago, Illinois.<a href=\"#sdfootnote24sym\"><sup>24<\/sup><\/a> Metalwork: 1375\/1400 Germany, Braunschweig Rock-crystal vessel: c. 1000 Egypt, Fatimid Dynasty (909-1171) Silver gilt and crystal<\/figcaption><\/figure>\n<p class=\"import-Normal\">Both of these reliquaries were fashioned in the style of a Gothic edifice. As such, each forms an elaborate architectural frame for a translucent rock-crystal vessel from 10<sup>th<\/sup> century Egypt. Rock crystal was considered a precious stone in the medieval Islamic world and was used to create a number of luxurious secular objects, such as containers for fragrant oil. The silver-gilt reliquary in image 7.102 was probably assembled in Lower Saxony between 1400 and 1500. The reliquary in image 7.103 is from Braunschweig in north-central Germany and is dated to 1375-1400. An inscription along the base specifically identifies the relic as a tooth of Saint John the Baptist.<\/p>\n<p class=\"import-Normal\">The holy gown [image 7.104] was believed to have been worn by Mary, either when she gave birth to Christ, or at the time of the Annunciation. Whichever was the \u201ccorrect\u201d story, it was a gift to Charlemagne from the Empress Irene of Byzantium in 876. The citizens of Chartres believed that it gave protection in 911 when the city was besieged by the Vikings, and it has always been a good source of income! The reliquary in which it is displayed, of course, is modern.<\/p>\n<figure style=\"width: 1430px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/pressbooks.ccconline.org\/ppschum1021earlycivilizations\/wp-content\/uploads\/sites\/194\/2024\/07\/image17-8.jpeg\" alt=\"A modern gold container that displays a piece of off-white cloth. The container resembles an altar screen held up by two angels.\" width=\"1430\" height=\"1073\" \/><figcaption class=\"wp-caption-text\"><strong>7.104<\/strong> The Sancta Camisia. Chartres Cathedral, Chartres, France.<a href=\"#sdfootnote25sym\"><sup>25<\/sup><\/a><\/figcaption><\/figure>\n<p class=\"import-Normal\"><strong>Relics<\/strong> <strong>as<\/strong> <strong>holy<\/strong> <strong>pictures. <\/strong>You will certainly get your fill of holy pictures as we examine Byzantine-influenced churches in Ravenna and Constantinople. For a \u201cpreview,\u201d here is a portrayal of the <em>Good<\/em> <em>Shepherd<\/em> at the Mausoleum of Galla Placidia in Ravenna [image 7.105].<\/p>\n<figure style=\"width: 593px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/pressbooks.ccconline.org\/ppschum1021earlycivilizations\/wp-content\/uploads\/sites\/194\/2024\/07\/image18-7.jpeg\" alt=\"A mosaic in a semi-circle. The Shepherd is dressed in gold and purple, royal colors, and holds a staff topped with a cross. There are three sheep on each side of him. The background is emblematic, rather than realistic.\" width=\"593\" height=\"389\" \/><figcaption class=\"wp-caption-text\"><strong>7.105<\/strong> Mausoleum of Galla Placidia: Christ the Good Shepherd. 425-450, Ravenna, Italy.<a href=\"#sdfootnote26sym\"><sup>26<\/sup><\/a><\/figcaption><\/figure>\n<p class=\"import-Normal\">This is no ordinary shepherd. <em>How<\/em> <em>do<\/em> <em>we<\/em> <em>know<\/em> <em>that<\/em> <em>\u201ckingship\u201d<\/em> <em>is<\/em> <em>suggested?<\/em> The mosaic is filled with symbols, which are the language of religion in the same way that numbers are the language of science. Actually, this entire discussion on \u201cRelics\u201d has really been about \u201csymbols.\u201d When you learn to read the symbols, you will be understanding the mystical, complex ideas of the Byzantine era.<\/p>\n<h2>A MUSICAL REACTION TO \u201cLOOKING UP\u201d TOWARD A DOME<\/h2>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/pressbooks.ccconline.org\/ppschum1021earlycivilizations\/wp-content\/uploads\/sites\/194\/2024\/07\/image19-1.png\" alt=\"Sheet music.\" width=\"394\" height=\"422\" \/><\/p>\n<p class=\"import-Normal\">The <strong>Gregorian Chant <\/strong>is still intentionally \u201csinging the words back to God which He has given to us,\u201d but, it is now a step removed from Plainchant music. Or perhaps, it should be said music has advanced by two steps.<\/p>\n<p class=\"import-Normal\">First step: Gregorian chant may be sung <strong>antiphonally, <\/strong>in parallel halves.<a href=\"#sdfootnote27sym\"><sup>27\u00a0<\/sup><\/a>The musicians are divided into two parts: the <strong>cantor, <\/strong>who established the pitch and gave the solo intonation, and the <strong>choral response <\/strong>to the stimulus.<\/p>\n<p class=\"import-Normal\">Therefore, the music is known as <strong>responsorial<\/strong> (solo and chorus).<\/p>\n<p class=\"import-Normal\">The second step was a decorative flourish added to the melody. The melody was probably based upon a well- known tune, but in a <strong>melismatic <\/strong>touch a single syllable has been elaborated upon and extended over several notes. Look up! Listen up! This is new!<\/p>\n<div class=\"textbox shaded\">\n<p class=\"import-Normal\">\u201cHaec Dies\u201d is a Gregorian Chant which was based Psalms 118:24 and 106:1. The text would have been appropriate for Easter Sunday.<\/p>\n<p style=\"text-align: justify\">Haec dies\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0This is the day<\/p>\n<p style=\"text-align: justify\">quan fecit Dominus.\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0which the Lord hath made;<\/p>\n<p style=\"text-align: justify\">exsultemus ea\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0we will rejoice and be<\/p>\n<p style=\"text-align: justify\">laetemur in ea.\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 glad of it.<\/p>\n<p style=\"text-align: justify\">Confitemini Domino\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 O give thanks to the<\/p>\n<p style=\"text-align: justify\">quoniam bonus:\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Lord, for He is good:<\/p>\n<p style=\"text-align: justify\">quoniam in saeculum\u00a0 \u00a0 \u00a0 \u00a0 for His mercy<\/p>\n<p style=\"text-align: justify\">misericordia\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 endureth<\/p>\n<p style=\"text-align: justify\">ejus.\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Forever.<\/p>\n<p>&nbsp;<\/p>\n<\/div>\n<p class=\"import-Normal\"><span style=\"text-align: initial;font-size: 1em\">The first phrase, \u201cHaec dies\u201d is sung as a solo intonation by the <\/span><strong style=\"text-align: initial;font-size: 1em\">cantor<\/strong><span style=\"text-align: initial;font-size: 1em\">. (On this score, the script looks like \u201cAec d\u00ed- es.\u201d\u00a0<\/span>Don\u2019t let that fool you.)<\/p>\n<p>The remainder of the hymn, \u201cquan fecit\u2026\u201d is sung as a <strong>choral<\/strong> <strong>response<\/strong>.<\/p>\n<p>The <strong>melismatic<\/strong> flourish extends over important words, such as <em>Dominus<\/em> and <em>exsultemus<\/em>.<\/p>\n<p>Significant elements:<\/p>\n<p class=\"indent\">\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 The <strong>rhythm<\/strong> is dependent on the words.<\/p>\n<p class=\"indent\">\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 The <strong>pitch <\/strong>is also dependent on the words. The voice moves up and down just as we do when speaking.<\/p>\n<p>Because of the syllabic nature of this music, the <strong>meter <\/strong>is unmeasured. Besides, spiritual \u201ctruth\u201d is beyond all restrictions of time. God is beyond counting, beyond numbers, beyond rational understanding.<\/p>\n<p class=\"indent\">\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0The <strong>harmony<\/strong> is monophonic; there is, after all, one God so his oneness should be emphasized.<\/p>\n<p class=\"indent\">\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0The <strong>instrumentation <\/strong>is \u201ca cappella\u201d\u2014only voices, praising God in unison.<\/p>\n<div class=\"textbox\">\n<p><em>How<\/em> <em>does<\/em> <em>the<\/em> <em>music<\/em> <em>offer<\/em> <em>an<\/em> <em>interpretation<\/em> <em>of<\/em> <em>the<\/em> <em>text? <\/em><em>Does<\/em> <em>the<\/em> <em>music<\/em> <em>make<\/em> <em>any<\/em> <em>sense<\/em> <em>as<\/em> <em>a<\/em> <em>melody<\/em> <em>without<\/em> <em>words?\u00a0<\/em><\/p>\n<p class=\"indent\">It is not memorable on its own. There are no phrases, there is no inner logic.<\/p>\n<p><em>What<\/em> <em>are<\/em> <em>the<\/em> <em>similarities<\/em> <em>between<\/em> <em>the<\/em> <em>Platonic<\/em> <em>and<\/em> <em>early<\/em> <em>Christian<\/em> <em>views<\/em> <em>of<\/em> <em>music?\u00a0<\/em><\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<\/div>\n<p><strong>References:<\/strong><\/p>\n<div class=\"7.8-relics-of-faith\">\n<p><a href=\"#sdfootnote1anc\">1<\/a>. \u201cEcumenical\u201d means \u201call-world,\u201d but in this case, \u201call-Mediterranean\u201d is closer to reality.<\/p>\n<p><a href=\"#sdfootnote2anc\">2<\/a>. Loyolapress.com\/our-catholic-faith\/prayer\/traditional-catholic-prayers\/prayers-every-catholic-should-know\/Nicene-creed<\/p>\n<p><a href=\"#sdfootnote3anc\">3<\/a>. <em>Against<\/em> <em>Heresies<\/em>, Book III, Chapter 11.<\/p>\n<p><a href=\"#sdfootnote4anc\">4<\/a>. <em>The<\/em> <em>39<\/em><em>th<\/em> <em>Festal<\/em> <em>Letter<\/em> <em>of<\/em> <em>Athanasius<\/em>, 367 CE.<\/p>\n<p><a href=\"#sdfootnote5anc\">5<\/a>. This number may sound familiar. You might remember that according to Thucydides, the Peloponnesian War lasted 27 years. However long it lasted, it was an auspicious number.<\/p>\n<p><a href=\"#sdfootnote6anc\">6<\/a>. Depending on the time of the year, monks would rise between 1:30 and 3:00 AM for \u201cnocturne\u201d or \u201cvigil\u201d and have \u201cvespers\u201d (night prayers) between 4:15 and 5:45. Between these times there were eight \u201coffices\u201d (services) as well as time for manual labor and daily study.<\/p>\n<p><a href=\"#sdfootnote7anc\">7<\/a>. Gregory lived from 540 to 604; he was Pope from 590-604. In the absence of the Roman Imperial government, the church had assumed much of the responsibility for food supply, organ amenities, and even defense against the Lombards\u2014therefore, Pope Gregory became the quasi-ruler in the old Imperial capital of Rome.<\/p>\n<p><a href=\"#sdfootnote8anc\">8<\/a>. See Hartman, Kathleen J. \u201cChapter 7, The Ambition of Constantine<em>.\u201d Humanities: New Meaning from the Ancient World. <\/em>Colorado Springs, CO: Pikes Peak Community College, 2020. CC BY-NC 4.0 License.<\/p>\n<p><a href=\"#sdfootnote9anc\">9<\/a>. Public domain at commons.wikimedia.org\/wiki\/Category:Biblioth%C3%A8que_ Nationale_MS_Gr._510# \/media\/File: Homilies_of_Gregory_the_Theologian_gr._510,_f_891.jpg<\/p>\n<p><a href=\"#sdfootnote10anc\">10<\/a>. St. Jerome, <em>Ad<\/em> <em>Riparium<\/em>, i, P.L., XXII, 907.<\/p>\n<p><a href=\"#sdfootnote11anc\">11.<\/a> Public domain at commons.wikimedia.org\/wiki\/File: The_tholos_tomb_Treasury_of_Atreus_or_Tomb_ of_Agamemnon_in_ Mycenae.jpg<\/p>\n<p><a href=\"#sdfootnote12anc\">12<\/a>. Ibid.<\/p>\n<p><a href=\"#sdfootnote13anc\">13<\/a>. Public domain at https:\/\/commons.wikimedia.org\/wiki\/File:The_tholos_of_Athena_Pronaia.jpg<\/p>\n<p><a href=\"#sdfootnote14anc\">14<\/a>. Exodus 3:5 relates how Moses was told \u201cput off thy shoes from off thy feet, for the place whereon thou standest is holy ground\u201d (KJV).<\/p>\n<p><a href=\"#sdfootnote15anc\">15<\/a>. Photo by Syenna Tindall, friend of the author, 2017. Used by permission. CC BY-NC 4.0 License.<\/p>\n<p><a href=\"#sdfootnote16anc\">16<\/a>. Pantheon aerial view \/ Getty Images, Creative Commons cited on <a class=\"rId28\" href=\"https:\/\/brewminate.com\/rome-and-a-villa-hadrians-pantheon-and-tivoli-retreat\/\">brewminate.com\/rome-and-a-villa-hadrians-pantheon-and-tivoli-<\/a> <a class=\"rId29\" href=\"https:\/\/brewminate.com\/rome-and-a-villa-hadrians-pantheon-and-tivoli-retreat\/\">retreat\/<\/a><\/p>\n<p><a href=\"#sdfootnote17anc\">17.<\/a> Photo by the author, Kathleen J. Hartman, 2006. CC BY-NC 4.0 License.<\/p>\n<p><a href=\"#sdfootnote18anc\">18<\/a>. Public domain at commons.wikimedia.org\/wiki\/File:EB1911_Rome_-_Plan_of_Church_and_Mausoleum_of_Constanza.jpg<\/p>\n<p><a href=\"#sdfootnote19anc\">19<\/a>. Photo courtesy of <a class=\"rId30\" href=\"http:\/\/www.santagnese.org\/galleria_foto.htm\">santagnese.org,<\/a> Creative Commons License <a class=\"rId31\" href=\"https:\/\/creativecommons.org\/licenses\/by-sa\/2.0\/\">(CC BY-SA 2.0<\/a>).<\/p>\n<p><a href=\"#sdfootnote20anc\">20<\/a>. Public domain at commons.wikimedia.org\/wiki\/File:S_Costanza_1160909-10-11.JPG<\/p>\n<p><a href=\"#sdfootnote21anc\">21<\/a>. Photo by the author, Kathleen J. Hartman, 2017. CC BY-NC 4.0 License.<\/p>\n<p><a href=\"#sdfootnote22anc\">22<\/a>. Photo by the author, Kathleen J. Hartman, 2010. CC BY-NC 4.0 License.<\/p>\n<p><a href=\"#sdfootnote23anc\">23<\/a>. Photo by the author, Kathleen J. Hartman, 2006. CC BY-NC 4.0 License.<\/p>\n<p><a href=\"#sdfootnote24anc\">24<\/a>. Photo by the author, Kathleen J. Hartman, 2016. CC BY-NC 4.0 License.<\/p>\n<p><a href=\"#sdfootnote25anc\">25<\/a>. Public domain at upload.wikimedia.org\/wikipedia\/commons\/8\/8a\/Chartres_cathedral_2850.jpg<\/p>\n<p><a href=\"#sdfootnote26anc\">26.<\/a> Photo by the author, Kathleen J. Hartman, 2016. CC BY-NC 4.0 License.<\/p>\n<p><a href=\"#sdfootnote27anc\">27<\/a>. \u201cAntiphonal\u201d is the root of our word \u201canthem.\u201d<\/p>\n<\/div>\n","protected":false},"author":101,"menu_order":8,"template":"","meta":{"pb_show_title":"on","pb_short_title":"","pb_subtitle":"","pb_authors":[],"pb_section_license":""},"chapter-type":[],"contributor":[],"license":[],"class_list":["post-881","chapter","type-chapter","status-publish","hentry"],"part":397,"_links":{"self":[{"href":"https:\/\/pressbooks.ccconline.org\/ppschum1021earlycivilizations\/wp-json\/pressbooks\/v2\/chapters\/881","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pressbooks.ccconline.org\/ppschum1021earlycivilizations\/wp-json\/pressbooks\/v2\/chapters"}],"about":[{"href":"https:\/\/pressbooks.ccconline.org\/ppschum1021earlycivilizations\/wp-json\/wp\/v2\/types\/chapter"}],"author":[{"embeddable":true,"href":"https:\/\/pressbooks.ccconline.org\/ppschum1021earlycivilizations\/wp-json\/wp\/v2\/users\/101"}],"version-history":[{"count":6,"href":"https:\/\/pressbooks.ccconline.org\/ppschum1021earlycivilizations\/wp-json\/pressbooks\/v2\/chapters\/881\/revisions"}],"predecessor-version":[{"id":1606,"href":"https:\/\/pressbooks.ccconline.org\/ppschum1021earlycivilizations\/wp-json\/pressbooks\/v2\/chapters\/881\/revisions\/1606"}],"part":[{"href":"https:\/\/pressbooks.ccconline.org\/ppschum1021earlycivilizations\/wp-json\/pressbooks\/v2\/parts\/397"}],"metadata":[{"href":"https:\/\/pressbooks.ccconline.org\/ppschum1021earlycivilizations\/wp-json\/pressbooks\/v2\/chapters\/881\/metadata\/"}],"wp:attachment":[{"href":"https:\/\/pressbooks.ccconline.org\/ppschum1021earlycivilizations\/wp-json\/wp\/v2\/media?parent=881"}],"wp:term":[{"taxonomy":"chapter-type","embeddable":true,"href":"https:\/\/pressbooks.ccconline.org\/ppschum1021earlycivilizations\/wp-json\/pressbooks\/v2\/chapter-type?post=881"},{"taxonomy":"contributor","embeddable":true,"href":"https:\/\/pressbooks.ccconline.org\/ppschum1021earlycivilizations\/wp-json\/wp\/v2\/contributor?post=881"},{"taxonomy":"license","embeddable":true,"href":"https:\/\/pressbooks.ccconline.org\/ppschum1021earlycivilizations\/wp-json\/wp\/v2\/license?post=881"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}