{"id":292,"date":"2024-06-14T16:23:21","date_gmt":"2024-06-14T16:23:21","guid":{"rendered":"https:\/\/pressbooks.ccconline.org\/ppsccom1300communicationandpopularculture\/?post_type=part&p=292"},"modified":"2024-08-06T20:27:45","modified_gmt":"2024-08-06T20:27:45","slug":"chapter-2","status":"publish","type":"part","link":"https:\/\/pressbooks.ccconline.org\/ppsccom1300communicationandpopularculture\/part\/chapter-2\/","title":{"raw":"Chapter 2","rendered":"Chapter 2"},"content":{"raw":"

A Brief Overview<\/h2>\r\nIf you are anticipating a roadmap of neat, organized plans for how the evolution of culture on digital platforms will unfurl, you\u2019re gonna have a bad time<\/a>. Instead, this chapter offers a brief, lively discussion of how we define digital culture and what we might expect from it as it emerges in online spaces, mobile apps and platforms.\r\n\r\nAdditionally, this chapter includes a breakdown of the roles social media platforms may play in influencing culture.\r\n\r\nIf you acknowledge that cultures have always been in flux, then perhaps the concept of a digital culture emerging online amidst anarchy will look less like disruption and more like evolution (Spoiler Alert:<\/a> Reveals the plot of The Last Jedi)<\/a>. However you classify it, the cultural impact of the merger of the mass media and digital networks is vast, and that is the topic of this chapter.\r\n\r\nThis chapter begins with a definition of \u201cdigital culture\u201d that comes from the media studies portion of mass communication literature. [pb_glossary id=\"483\"]M<\/strong>e<\/strong>dia studies<\/strong> [\/pb_glossary]refers to the broad category of academic inquiry analyzing and critiquing the mass media, its products, possible effects of messages and campaigns, and even media history. Chapter 2 then continues with a deeper discussion of identity in the digital age and covers privacy and surveillance as well as the praxis of digital culture as defined by scholars. The term \u201cpraxis\u201d here refers to how a theory plays out in actual practice.\r\n\r\nThis chapter also identifies different levels of culture (a concept borrowed from anthropology) as they relate to cultural products reaching audiences through digital mass communication channels. In other words, we ultimately answer this question: If we take existing theory for describing the levels<\/em> of culture and apply it to digital culture, what are some immediately recognizable traits?\r\n\r\nFinally, social media are defined from a scholarly point of view with particular attention given to the cultural potential of digitally networked social platforms.\r\n\r\n[caption id=\"\" align=\"alignleft\" width=\"300\"]\"Backlit Lighted brushed-steel Google logo sign attached to a marble wall. Image by Google, public domain<\/a>. Source: Flickr<\/a>.[\/caption]\r\n\r\n\u201cThe Internet is the first thing that humanity has built that humanity doesn\u2019t understand, the largest experiment in anarchy that we have ever had.<\/strong>\u201d\u00a0\u2014\u00a0<\/strong>Eric Schmidt, former executive chairman of\u00a0Alphabet Inc.<\/a>","rendered":"

A Brief Overview<\/h2>\n

If you are anticipating a roadmap of neat, organized plans for how the evolution of culture on digital platforms will unfurl, you\u2019re gonna have a bad time<\/a>. Instead, this chapter offers a brief, lively discussion of how we define digital culture and what we might expect from it as it emerges in online spaces, mobile apps and platforms.<\/p>\n

Additionally, this chapter includes a breakdown of the roles social media platforms may play in influencing culture.<\/p>\n

If you acknowledge that cultures have always been in flux, then perhaps the concept of a digital culture emerging online amidst anarchy will look less like disruption and more like evolution (Spoiler Alert:<\/a> Reveals the plot of The Last Jedi)<\/a>. However you classify it, the cultural impact of the merger of the mass media and digital networks is vast, and that is the topic of this chapter.<\/p>\n

This chapter begins with a definition of \u201cdigital culture\u201d that comes from the media studies portion of mass communication literature. M<\/strong>e<\/strong>dia studies<\/strong> <\/a>refers to the broad category of academic inquiry analyzing and critiquing the mass media, its products, possible effects of messages and campaigns, and even media history. Chapter 2 then continues with a deeper discussion of identity in the digital age and covers privacy and surveillance as well as the praxis of digital culture as defined by scholars. The term \u201cpraxis\u201d here refers to how a theory plays out in actual practice.<\/p>\n

This chapter also identifies different levels of culture (a concept borrowed from anthropology) as they relate to cultural products reaching audiences through digital mass communication channels. In other words, we ultimately answer this question: If we take existing theory for describing the levels<\/em> of culture and apply it to digital culture, what are some immediately recognizable traits?<\/p>\n

Finally, social media are defined from a scholarly point of view with particular attention given to the cultural potential of digitally networked social platforms.<\/p>\n

\"Backlit
Lighted brushed-steel Google logo sign attached to a marble wall. Image by Google, public domain<\/a>. Source: Flickr<\/a>.<\/figcaption><\/figure>\n

\u201cThe Internet is the first thing that humanity has built that humanity doesn\u2019t understand, the largest experiment in anarchy that we have ever had.<\/strong>\u201d\u00a0\u2014\u00a0<\/strong>Eric Schmidt, former executive chairman of\u00a0Alphabet Inc.<\/a><\/p>\n

definition<\/span>