{"id":60,"date":"2022-04-28T19:07:12","date_gmt":"2022-04-28T19:07:12","guid":{"rendered":"https:\/\/pressbooks.ccconline.org\/ppcc5\/?post_type=chapter&#038;p=60"},"modified":"2023-05-22T17:15:34","modified_gmt":"2023-05-22T17:15:34","slug":"the-blue","status":"publish","type":"chapter","link":"https:\/\/pressbooks.ccconline.org\/ppcc5\/chapter\/the-blue\/","title":{"raw":"The Blue","rendered":"The Blue"},"content":{"raw":"<section><\/section><section><\/section><section class=\"mt-content-container\">In the end, the creatures found it. They were the ones who knew what to do. A couple decades ago my dear friend Mimi gave me a blue sweater. Not just any blue sweater but one that had been knitted by her mother in Denmark. When her mother died, Mimi\u2014who had gone to be with her\u2014brought it back, and gave it to me. Open stitches, soft wool, equally soft shape\u2014that loose pullover style meant for cuddling. And blue, a stunning, singing, deep song. Winter blue, dark sapphire blue, ah yes, Scandinavian blue.I cherished the sweater. Each winter, I anticipated pulling it out of storage on the coldest mornings of our Michigan darkness. The warmth and color never faded; I could rely on it when things were unreliable. When I wore it, I always looked to the sky for a match, and found it finally in those clear-hued December evenings. That blue, strongest just before real dark fell. The winter after I lost my father, I pulled the sweater off the shelf, shook it out, and was shocked and saddened to find moths had invaded. A handful of holes blinked in the weave. I mended it and wore it two more winters, but the yarn had weakened. More holes laced the knit. The sweater was done. Was that the spring I lost two more friends: one, heart attack; another, cerebral hemorrhage? Finally, I took the blue into my arms, apologized to Mimi\u2019s mother, and threw it over the back clothesline hoping maybe the Waxwings would raid it; they like string and single strands of stuff. That sacre bleu hung all summer and early fall; no waxwings. The blue never faded, and with the first snows, it shone against the white of a thin new snow. I looked at it every morning I came to the porch, coffee in hand. Its shabby obstinacy drew my eyes.\r\nI missed my father, my friends more than I could say.One day, the sweater disappeared. Gone. I can\u2019t articulate the contradictions I felt. Relief\u2014something had taken it at last, and loss\u2014all over again. That swath of ultramarine had hung like a spirit friendship with a woman I never knew, but I did know because of her skill and her daughter\u2019s gift. It also stood for my lost friends. Their spirits, that blue. I studied the ground under the clothesline, scuffed through the garden, searching for the remnants. Nothing.\r\n\r\nLater, while packing up the garden one rough-winded day, I caught sight of a blue strand. It led under the woodshed. When I dislodged an old clay pot, there, a blue tangle woven with dry leaves in a nest where a mouse or vole had kept warm. All through late fall, I found traces, a strand hooked in the wood pile, a filament caught in the window box, and once, what might have been a clump in a tree. A squirrels\u2019 nest woven blue into the cross-hatch of high-tree debris?\r\n\r\nThey were using it, but I had not seen. Like grief I suppose, eventually we weave it in, but invisibly.\r\n\r\nAround Thanksgiving, I found what remained of the sweater in the ravine below our house. Just tatters, but identifiable. It had finally faded to the tired blue after storm. What remained fell apart in my hands; those warm mornings frayed in my fingertips. I stood on the hillside, amazed. Here was a piece of sky, now of earth, scattered by chance winds and the choices of wild creatures. What was lost? Warmth, color, connection? What was gained? A nest, a coil of new meaning, some organic fiber woven into a home. I leave it there in the wild. I\u2019m a fool for loss, but there\u2019s also beauty: sky on a partly sunny morning, light warming the winter garden, the ecology of being human with mouse, squirrel, sweater and winter.\r\nThat deep blue dusk as dark comes on.\r\n\r\nIt\u2019s not done yet. Nearing Solstice, as we move wood out of the woodshed, I discover a phoebe nest in the eaves. Left from summer. When I pull it down to check if the nest had been a success, there, a thin filament of blue looping in the grassy bowl of emptiness. All through our woods, that blue has been knitted a second time. This is how creatures do it, making useful those faded but enduring fibers. Here, just before the year turns, I tug a single-strand from spiraled grasses. I let it catch the wind. Here\u2019s what matters, the way this cast-off never fully decays, the way friendship lives on in memory, and then becomes sacred in its adaptive use\u2014blue thread still linking an endless sky to a battered but vital earth.\r\n\r\n______________________\r\n\r\n<a class=\"link-https\" href=\"https:\/\/anne-marieoomen.com\/\" target=\"_blank\" rel=\"external noopener nofollow noreferrer\">Anne-Marie Oomen<\/a>\u00a0is author of\u00a0<a class=\"link-https\" href=\"https:\/\/www.wsupress.wayne.edu\/books\/detail\/lake-michigan-mermaid\" target=\"_blank\" rel=\"external noopener nofollow noreferrer\"><em>Lake Michigan Mermaid<\/em><\/a>\u00a0with Linda Nemec Foster (Michigan Notable Book for 2018),\u00a0<a class=\"link-https\" href=\"https:\/\/www.wsupress.wayne.edu\/books\/detail\/love-sex-and-4-h\" target=\"_blank\" rel=\"external noopener nofollow noreferrer\"><em>Love, Sex and 4-H<\/em><\/a>\u00a0(Next Generation Indie Award for Memoir),\u00a0<a class=\"link-https\" href=\"https:\/\/www.wsupress.wayne.edu\/books\/detail\/pulling-down-barn\" target=\"_blank\" rel=\"external noopener nofollow noreferrer\"><em>Pulling Down the Barn<\/em><\/a>\u00a0(Michigan Notable Book); and\u00a0<a class=\"link-https\" href=\"https:\/\/milkweed.org\/book\/uncoded-woman\" target=\"_blank\" rel=\"external noopener nofollow noreferrer\"><em>Uncoded Woman<\/em><\/a>\u00a0(poetry), among others. She edited\u00a0<a class=\"link-https\" href=\"https:\/\/www.wsupress.wayne.edu\/books\/detail\/elemental\" target=\"_blank\" rel=\"external noopener nofollow noreferrer\"><em>ELEMENTAL: A Collection of Michigan Nonfiction<\/em><\/a>. She teaches at Solstice MFA at Pine Manor College (MA), Interlochen\u2019s College of Creative Arts (MI), and at conferences throughout the country.\r\n\r\n<em><img class=\"internal\" src=\"https:\/\/human.libretexts.org\/@api\/deki\/files\/12359\/4TeL4FLtvEZdCZ7pfRtiMjhW2fWPtA8f5nziIQaPZTWsSH5fafc6Q2iju0IB_zqCg9GGQcAAA8AwRfpAAw84d-jzqkuwaiYyxj7bsKU6ZAZXBtGZohEF3fkjY0tIUURl0Q?revision=1\" alt=\"Creative Commons License\" width=\"88\" height=\"31\" \/><\/em>\r\n\r\n\u201cThe Blue\u201d by\u00a0<a class=\"external\" href=\"http:\/\/anne-marieoomen.com\/\" target=\"_blank\" rel=\"external noopener nofollow noreferrer\">Anne-Marie Ooman<\/a>\u00a0is licensed under a\u00a0<a class=\"external\" href=\"http:\/\/creativecommons.org\/licenses\/by-nc-nd\/4.0\/\" target=\"_blank\" rel=\"external noopener nofollow noreferrer\">Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License<\/a>. This work was previously published on mynorth.com.\r\n\r\n<footer class=\"mt-content-footer\">\r\n\r\n<hr \/>\r\n\r\n<div class=\"autoattribution\">\r\n\r\n<a class=\"internal mt-self-link\" href=\"https:\/\/human.libretexts.org\/Bookshelves\/Literature_and_Literacy\/Book%3A_88_Open_Essays_-_A_Reader_for_Students_of_Composition_and_Rhetoric_(Wangler_and_Ulrich)\/Open_Essays\/59%3A_The_Blue_(Oomen)\" target=\"_blank\" rel=\"internal noopener noreferrer\">59: The Blue (Oomen)<\/a>\u00a0is shared under a\u00a0<a href=\"https:\/\/creativecommons.org\/licenses\/by-sa\/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">CC BY-SA\u00a0<\/a>license and was authored, remixed, and\/or curated by LibreTexts.\r\n\r\n<\/div>\r\n<\/footer><\/section>","rendered":"<section><\/section>\n<section><\/section>\n<section class=\"mt-content-container\">In the end, the creatures found it. They were the ones who knew what to do. A couple decades ago my dear friend Mimi gave me a blue sweater. Not just any blue sweater but one that had been knitted by her mother in Denmark. When her mother died, Mimi\u2014who had gone to be with her\u2014brought it back, and gave it to me. Open stitches, soft wool, equally soft shape\u2014that loose pullover style meant for cuddling. And blue, a stunning, singing, deep song. Winter blue, dark sapphire blue, ah yes, Scandinavian blue.I cherished the sweater. Each winter, I anticipated pulling it out of storage on the coldest mornings of our Michigan darkness. The warmth and color never faded; I could rely on it when things were unreliable. When I wore it, I always looked to the sky for a match, and found it finally in those clear-hued December evenings. That blue, strongest just before real dark fell. The winter after I lost my father, I pulled the sweater off the shelf, shook it out, and was shocked and saddened to find moths had invaded. A handful of holes blinked in the weave. I mended it and wore it two more winters, but the yarn had weakened. More holes laced the knit. The sweater was done. Was that the spring I lost two more friends: one, heart attack; another, cerebral hemorrhage? Finally, I took the blue into my arms, apologized to Mimi\u2019s mother, and threw it over the back clothesline hoping maybe the Waxwings would raid it; they like string and single strands of stuff. That sacre bleu hung all summer and early fall; no waxwings. The blue never faded, and with the first snows, it shone against the white of a thin new snow. I looked at it every morning I came to the porch, coffee in hand. Its shabby obstinacy drew my eyes.<br \/>\nI missed my father, my friends more than I could say.One day, the sweater disappeared. Gone. I can\u2019t articulate the contradictions I felt. Relief\u2014something had taken it at last, and loss\u2014all over again. That swath of ultramarine had hung like a spirit friendship with a woman I never knew, but I did know because of her skill and her daughter\u2019s gift. It also stood for my lost friends. Their spirits, that blue. I studied the ground under the clothesline, scuffed through the garden, searching for the remnants. Nothing.<\/p>\n<p>Later, while packing up the garden one rough-winded day, I caught sight of a blue strand. It led under the woodshed. When I dislodged an old clay pot, there, a blue tangle woven with dry leaves in a nest where a mouse or vole had kept warm. All through late fall, I found traces, a strand hooked in the wood pile, a filament caught in the window box, and once, what might have been a clump in a tree. A squirrels\u2019 nest woven blue into the cross-hatch of high-tree debris?<\/p>\n<p>They were using it, but I had not seen. Like grief I suppose, eventually we weave it in, but invisibly.<\/p>\n<p>Around Thanksgiving, I found what remained of the sweater in the ravine below our house. Just tatters, but identifiable. It had finally faded to the tired blue after storm. What remained fell apart in my hands; those warm mornings frayed in my fingertips. I stood on the hillside, amazed. Here was a piece of sky, now of earth, scattered by chance winds and the choices of wild creatures. What was lost? Warmth, color, connection? What was gained? A nest, a coil of new meaning, some organic fiber woven into a home. I leave it there in the wild. I\u2019m a fool for loss, but there\u2019s also beauty: sky on a partly sunny morning, light warming the winter garden, the ecology of being human with mouse, squirrel, sweater and winter.<br \/>\nThat deep blue dusk as dark comes on.<\/p>\n<p>It\u2019s not done yet. Nearing Solstice, as we move wood out of the woodshed, I discover a phoebe nest in the eaves. Left from summer. When I pull it down to check if the nest had been a success, there, a thin filament of blue looping in the grassy bowl of emptiness. All through our woods, that blue has been knitted a second time. This is how creatures do it, making useful those faded but enduring fibers. Here, just before the year turns, I tug a single-strand from spiraled grasses. I let it catch the wind. Here\u2019s what matters, the way this cast-off never fully decays, the way friendship lives on in memory, and then becomes sacred in its adaptive use\u2014blue thread still linking an endless sky to a battered but vital earth.<\/p>\n<p>______________________<\/p>\n<p><a class=\"link-https\" href=\"https:\/\/anne-marieoomen.com\/\" target=\"_blank\" rel=\"external noopener nofollow noreferrer\">Anne-Marie Oomen<\/a>\u00a0is author of\u00a0<a class=\"link-https\" href=\"https:\/\/www.wsupress.wayne.edu\/books\/detail\/lake-michigan-mermaid\" target=\"_blank\" rel=\"external noopener nofollow noreferrer\"><em>Lake Michigan Mermaid<\/em><\/a>\u00a0with Linda Nemec Foster (Michigan Notable Book for 2018),\u00a0<a class=\"link-https\" href=\"https:\/\/www.wsupress.wayne.edu\/books\/detail\/love-sex-and-4-h\" target=\"_blank\" rel=\"external noopener nofollow noreferrer\"><em>Love, Sex and 4-H<\/em><\/a>\u00a0(Next Generation Indie Award for Memoir),\u00a0<a class=\"link-https\" href=\"https:\/\/www.wsupress.wayne.edu\/books\/detail\/pulling-down-barn\" target=\"_blank\" rel=\"external noopener nofollow noreferrer\"><em>Pulling Down the Barn<\/em><\/a>\u00a0(Michigan Notable Book); and\u00a0<a class=\"link-https\" href=\"https:\/\/milkweed.org\/book\/uncoded-woman\" target=\"_blank\" rel=\"external noopener nofollow noreferrer\"><em>Uncoded Woman<\/em><\/a>\u00a0(poetry), among others. She edited\u00a0<a class=\"link-https\" href=\"https:\/\/www.wsupress.wayne.edu\/books\/detail\/elemental\" target=\"_blank\" rel=\"external noopener nofollow noreferrer\"><em>ELEMENTAL: A Collection of Michigan Nonfiction<\/em><\/a>. She teaches at Solstice MFA at Pine Manor College (MA), Interlochen\u2019s College of Creative Arts (MI), and at conferences throughout the country.<\/p>\n<p><em><img loading=\"lazy\" decoding=\"async\" class=\"internal\" src=\"https:\/\/human.libretexts.org\/@api\/deki\/files\/12359\/4TeL4FLtvEZdCZ7pfRtiMjhW2fWPtA8f5nziIQaPZTWsSH5fafc6Q2iju0IB_zqCg9GGQcAAA8AwRfpAAw84d-jzqkuwaiYyxj7bsKU6ZAZXBtGZohEF3fkjY0tIUURl0Q?revision=1\" alt=\"Creative Commons License\" width=\"88\" height=\"31\" \/><\/em><\/p>\n<p>\u201cThe Blue\u201d by\u00a0<a class=\"external\" href=\"http:\/\/anne-marieoomen.com\/\" target=\"_blank\" rel=\"external noopener nofollow noreferrer\">Anne-Marie Ooman<\/a>\u00a0is licensed under a\u00a0<a class=\"external\" href=\"http:\/\/creativecommons.org\/licenses\/by-nc-nd\/4.0\/\" target=\"_blank\" rel=\"external noopener nofollow noreferrer\">Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License<\/a>. This work was previously published on mynorth.com.<\/p>\n<footer class=\"mt-content-footer\">\n<hr \/>\n<div class=\"autoattribution\">\n<p><a class=\"internal mt-self-link\" href=\"https:\/\/human.libretexts.org\/Bookshelves\/Literature_and_Literacy\/Book%3A_88_Open_Essays_-_A_Reader_for_Students_of_Composition_and_Rhetoric_(Wangler_and_Ulrich)\/Open_Essays\/59%3A_The_Blue_(Oomen)\" target=\"_blank\" rel=\"internal noopener noreferrer\">59: The Blue (Oomen)<\/a>\u00a0is shared under a\u00a0<a href=\"https:\/\/creativecommons.org\/licenses\/by-sa\/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">CC BY-SA\u00a0<\/a>license and was authored, remixed, and\/or curated by LibreTexts.<\/p>\n<\/div>\n<\/footer>\n<\/section>\n","protected":false},"author":65,"menu_order":11,"template":"","meta":{"pb_show_title":"on","pb_short_title":"","pb_subtitle":"Anne-Marie Oomen","pb_authors":[],"pb_section_license":""},"chapter-type":[],"contributor":[],"license":[],"class_list":["post-60","chapter","type-chapter","status-publish","hentry"],"part":3,"_links":{"self":[{"href":"https:\/\/pressbooks.ccconline.org\/ppcc5\/wp-json\/pressbooks\/v2\/chapters\/60","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pressbooks.ccconline.org\/ppcc5\/wp-json\/pressbooks\/v2\/chapters"}],"about":[{"href":"https:\/\/pressbooks.ccconline.org\/ppcc5\/wp-json\/wp\/v2\/types\/chapter"}],"author":[{"embeddable":true,"href":"https:\/\/pressbooks.ccconline.org\/ppcc5\/wp-json\/wp\/v2\/users\/65"}],"version-history":[{"count":7,"href":"https:\/\/pressbooks.ccconline.org\/ppcc5\/wp-json\/pressbooks\/v2\/chapters\/60\/revisions"}],"predecessor-version":[{"id":191,"href":"https:\/\/pressbooks.ccconline.org\/ppcc5\/wp-json\/pressbooks\/v2\/chapters\/60\/revisions\/191"}],"part":[{"href":"https:\/\/pressbooks.ccconline.org\/ppcc5\/wp-json\/pressbooks\/v2\/parts\/3"}],"metadata":[{"href":"https:\/\/pressbooks.ccconline.org\/ppcc5\/wp-json\/pressbooks\/v2\/chapters\/60\/metadata\/"}],"wp:attachment":[{"href":"https:\/\/pressbooks.ccconline.org\/ppcc5\/wp-json\/wp\/v2\/media?parent=60"}],"wp:term":[{"taxonomy":"chapter-type","embeddable":true,"href":"https:\/\/pressbooks.ccconline.org\/ppcc5\/wp-json\/pressbooks\/v2\/chapter-type?post=60"},{"taxonomy":"contributor","embeddable":true,"href":"https:\/\/pressbooks.ccconline.org\/ppcc5\/wp-json\/wp\/v2\/contributor?post=60"},{"taxonomy":"license","embeddable":true,"href":"https:\/\/pressbooks.ccconline.org\/ppcc5\/wp-json\/wp\/v2\/license?post=60"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}