5 Chapter 5: Potential Conflicts of Interest

NYU Journalism Handbook for Students

NYU Journalism Handbook for Students

Ethics, Law and Good Practice


Carter Journalism Institute
Faculty of Arts and Science
New York University
20 Cooper Square
New York, NY 10003

By Prof. Adam L. Penenberg

REVISED 2020

Open Access License: The author of this work, in conjunction with the Carter Institute at New York University, has chosen to apply the Creative Commons Attribution License to this Ethics Handbook. While the author and the journalism institute retain ownership, we encourage others to reprint, amend and distribute this work for both commercial and noncommercial uses, as long as the original author and the journalism institute are credited. This broad license was developed to allow open and free access to original works of all types.

CONFLICTS OF INTEREST

In an era of great and growing dissatisfaction with the media, it is imperative that journalists avoid conflicts of interest, defined as situations in which there are competing professional, personal and/or financial obligations or interests that compete with the journalist’s obligation to their outlet and audience. Anything that could suggest the appearance of a conflict of interest should be revealed to an editor/professor and to the reader when appropriate.

WRITING ABOUT FRIENDS AND FAMILY MEMBERS

Most newspapers bar reporters from writing about, or including quotes from friends or family members, although there may be some exceptions, if the reporter is open about it. In an autobiography or memoir, obviously it is fine. Even here, however, there is an obligation: the writer should be transparent and stipulate the relationship, whatever form that may take. When a reporter is sent out to sample opinion or find an expert, those sources should not be relations, unless the journalist can honestly claim the relationship won’t sway what they write in one way or the other. In other words, would the reporter pull punches because they’re a friend of the source? That’s why it is usually a good idea to stay clear of using friends and relatives in articles in most instances.

PRESS JUNKETS

Most reputable news organizations prohibit contributors from participating in press junkets, which are trips offered to journalists that are paid for by the entities the reporters cover, i.e., movie studios, electronics companies, government agencies.

ACCEPTING HOSPITALITY

If a reporter is interviewing a CEO at a company or at the executive’s home, it is fine to accept a sandwich and a soft drink. At a restaurant, however, the reporter should pay for the meal or drink. Drinking alcohol on the job can be problematic. The Kalamazoo Gazette fired a reporter and photographer in 2005 for participating in a drinking game while researching a story on problem drinking on college campuses. An editor claimed the transgression compromised the paper’s integrity.

GIFTS

Journalists generally should not accept any gifts from sources or from the subjects of their stories. Sometimes sources will send tokens of their appreciation after the fact, which is to say after publication. Every media outlet has its own policy on accepting such gifts. At the Carter Institute of Journalism, students will be asked to return all such tokens, if possible, if worth more than $25. If abroad in cultures where refusing hospitality could be interpreted as rudeness, it may be permissible to accept food, private lodging and/or small tokens of affection or gratitude. Similarly, in some cultures (Japan, for example) it is appropriate for a reporter to present a small gift to a source before the interview starts, especially if the interview is being conducted in the source’s home. As always, use common sense.

FREE TICKETS

While some publications, like The New York Times, prohibit their reporters from accepting free tickets to a performance they are writing about or reviewing, most others allow staff writers and freelancers to procure press passes to movie screenings, concerts and theatrical productions. The policy at the Carter Institute of Journalism is: A student can accept free passes to an event they are covering as part of or preparation for a story, but should not take a free ticket to another event beyond the one being reviewed, written about, or used as background material. The same goes for review copies of books, compact discs, DVDs and access to subscription-only websites.

PAYING SOURCES

No reputable news organization or reporter pays a source for information. It is possible to take a source out for a meal, or, in special cases and when disclosed to editors and audience, to pay for travel for a source to reach a reporter.

QUID PRO QUO

A reporter should not guarantee an interview subject favorable coverage in exchange for access.

INVESTMENTS (STOCK, BONDS, VENTURE CAPITAL)

Journalists must avoid all financial entanglements (stock ownership, financial transactions, etc.) with the people and companies they cover.

POLITICAL AND CHARITABLE DONATIONS

If a reporter donates to a politician running for office (say, the mayor) they shouldn’t also cover the election—that includes not only the mayor but also the mayor’s opponents. Be forewarned: If you donate money to a politically active organization (Planned Parenthood or the National Rifle Association) your objectivity may be called into question if you write about issues of interest to these organizations.

EXPRESSING OPINIONS AND SOCIAL MEDIA USAGE

Nowadays it’s common for journalists—and journalism students—to express opinions and comment on the opinions of others, particularly online. What a journalist chooses to express and what the journalist writes about for publication could potentially raise ethical concerns. For example, if you express an opinion about stem cell research and bash governmental policy and then go on to write a hard news article about stem cell research, readers could conceivably question your objectivity.

License

Icon for the Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License

Media News and Reporting by Joelle Milholm is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License, except where otherwise noted.

Share This Book