10.5 Supporting the Visual Arts

Preschool children often have a natural fascination with the process of creating visual art. Making marks, squishing clay, and using a brush to apply color are activities that attract most young children. In groups where children speak multiple languages and may not share common words, visual art can create connections and a way of communicating. Art can become a way for people to connect across cultures to their common humanity; an appreciation for it may begin in preschool. Inviting families into the environment to share works of art from the home is an opportunity to build a bridge to the home.

Young children are naturally creative. The visual art framework is designed to encourage creativity; open-ended projects emphasize the process of working with visual materials. In other words, the curriculum is not focused on encouraging a child to produce, for example, a specific painting, but rather to practice using a brush on paper without a set outcome.

Figure

10.8: This child painting at the easel.[1]

Children are both consumers and creators of visual arts, which is reflected in the foundations:

Visual Art

Observe and Learn to Comprehend: Identify art in daily surroundings.

• Envision and Critique to Reflect: Evaluate the effectiveness of what is made during the creative process

(Colorado Department of Human Services. (2021, October 26). Off to a great start. Colorado Early Learning & Development Guidelines. Retrieved August 19, 2022, from https://earlylearningco.org/)

Developmental Sequence of Drawing

When provided with tools and a supportive environment, children from ages three to five progress more rapidly in the visual arts than during any other two-year period prior to adulthood. Creativity and imagination are at their apex at age four-and-a- half years; most experienced preschool teachers will attest to this. The arts are a natural outlet for the creative thinking of a preschooler, and learning is rapid.

The progression of children’s drawing ability is the most documented in the visual arts. When children are given a means and a place to make marks, they begin with series of vertical lines and move on to mandalas (i.e., repeated circles). The mandalas soon sprout legs and arms, then faces, and more detailed features such as hair, fingers, or eyes. Harvard University Professor Howard Gardner refers to this process as “the birth of the potato person.” This research has become so well-known that medical doctors will now check on children’s intellectual progress by asking the child and parent how detailed the child’s human-figure drawings are (rather than asking about letters and numbers) at the four-year and five-year checkups. Because children speak multiple languages and progress differently around writing skills, the question about drawing is more relevant and telling for this age group.

The painting progress of children is not as well-documented as their drawing progress. In general, children begin by simply experimenting with brushstrokes and the process of applying paint to a surface. Children’s first paintings are usually solid sections of a single color, two colors, or three colors at the most. The brushstrokes begin to change directions, and shapes

Type of MaterialsExamples of MaterialsFound or Recycled MaterialsOld magazines for cutting and assemblage, toilet paper and paper towel rollsBasicTempera paints, construction paper, chunky crayons, tray watercolorsEnhancedTube watercolors and palette; watercolor paperNatural EnvironmentSticks, rocks, and pinecones for sculpture; clay and natural materials for pressingAdaptive MaterialsThicker handles on some materials; easel that can be adjusted to an appropriate height

emerge. Finally, children begin to attempt representational paintings. The subject matter of such paintings varies depending on the child, the teacher, and the environment.[2]

Teachers can support children’s development of the visual arts foundations with the following: Encourage engagement with art at all levels.

Support exploration and discovery.

Give children the time and space needed to explore creativity. Provide a comfortable environment in which children can practice art. Provide opportunities for children to reflect on their own work.

Respect individual developmental, cultural, and linguistic differences, and encourage children to respect them.

Provide children simply with a means and place to make marks (e.g., a crayon and paper), and they will begin with the same basic images.

Encourage communication around shape and form to aid children’s drawing skills. Help children acquire painting skills through practice with the tools.

Stimulate children’s interest in color and application of paint through other forms of painting. Create opportunities for children to work with dough, clay, or wet sand.

Provide only the malleable material, without tools, during children’s initial explorations of sculpting so that children have a chance to explore through touch.

Communicate to a group of linguistically and culturally diverse children through sculpture techniques by using nonverbal methods.

Introduce tools after observing that children have had many “hands-on” opportunities to explore clay and dough sculpture.[3]

Figure 11.13: Working with clay is a different experience than working with playdough.[4] Table 10.2: Suggested Materials for Visual Art[5]

 VignettesMs. Cheng is showing children how colors can be mixed to create other colors. While pouring some yellow paint on the plate, she says “What is this color?” “Yellow!” shout the children. Knowing that some children speak other home languages, Ms. Lin asks “Milagros, how do you say yellow in Spanish?” “Amarillo,” Milagros answers. “Samantha, how do you say yellow in Mandarin?” “Huang!” Samantha answers. Ms. Cheng pours out some blue paint and asks the same set of questions. As she moves on to mix the two colors, they turn into green. This time, without prompting, some children shout, “Green!” others say, “¡Verde!” and others say, “Lu!”

It is springtime. The children have returned from a walk outdoors with handfuls of yellow flowers. The teacher places the flowers in a cup in the middle of the painting area and asks the children the color of the flowers. Then he asks, “What shapes do you see in the flower?” The children say, “Circles!” “Lines!” “Squares!” The teacher says, “Really? Where?” The children point at different parts of the flower. The teacher brings out brushes and paint and asks the children if they would like to paint the flowers.Many of the children sit down and begin to work with the materials, producing all kinds of images. When a child has too much paint on the brush, the teacher assists in showing the child how to wipe paint from the brush on the side of the paint container. As the children finish, the teacher encourages the children to talk about their paintings and then places them in the drying area. Some children finish quickly, and others become absorbed and work for a very long time. Some want to try several times on new paper. A few children attempt to represent the flowers in their paintings, and others experiment with the movement of the brushes and the mixing of color on the paper.[6]

References

• The California Preschool Curriculum Framework, Volume 2 by the California Department of Education is used with permission
• The California Preschool Curriculum Framework, Volume 2 by the California Department of Education is used with permission
• The California Preschool Curriculum Framework, Volume 2 by the California Department of Education is used with permission

Source of foundations: The California Preschool Curriculum Framework, Volume 2 by the California Department of Education is used with permission

• Image by Jennifer Paris is licensed by CC-BY-4.0
• The California Preschool Curriculum Framework, Volume 2 by the California Department of Education is used with permission
• The California Preschool Curriculum Framework, Volume 2 by the California Department of Education is used with permission

This page titled 10.5: Supporting the Visual Arts is shared under a not declared license and was authored, remixed, and/or curated by Jennifer Paris, Kristin Beeve, & Clint Springer.

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  : Supporting the Visual Arts by Jennifer Paris, Kristin Beeve, & Clint Springer has no license indicated.